A case study in making things happen. many believe that Sam Rockwell's performance in sleeper hit MOON deserves an Oscar nod. Below Duncan Jones director of the Moon takes this belief one step further and chats with LAGenX.
Something that Duncan Jones doesn't mention that is if you want to see more great inventive film making like MOON. These guys need our support. Spread the word!
More info & deets on getting involved can be found on Duncan Jones' blog here!
"We Were Once A Fairytale" is a short film directed by Spike Jonze and made in collaboration with Kanye West. Shot a year ago it does seem that Life is imitating art.
The lecture series serves to carry on the legacy of the great director David Lean, one of the founders of the British Film Academy (as it was then known) in 1947 and continuing inspiration to many through his exceptional body of work. The David Lean Lecture in 2007 was presented by American Director David Lynch.
Previous lectures have been delivered by: 2007: David Lynch 2006: Oliver Stone 2005: Woody Allen 2004: John Boorman 2003 Ken Loach 2002 Robert Altman 2001 Sydney Pollack
The 2009 lecture will be given by Atom Egoyan. Over the course of three decades at the forefront of the international film industry, Egoyan has become one of contemporary cinema’s most celebrated auteurs. With feature films including The Adjuster, Calendar, Exotica, The Sweet Hereafter, Felicia’s Journey, Ararat, Where the Truth Lies and 2008’s Adoration Egoyan has garnered countless prizes and nominations, led by Grand Prix and International Critics Awards from the Cannes Film Festival and two Oscar® nominations for The Sweet Hereafter.
Egoyan’s elegant and inventive films feature lonely hearts and isolated figures of unfulfilled desire in often surreal and gloomy scenarios, yet all of his characters are redeemed by his extraordinary compassion for them and insight into their thoughts and feelings. His films are a rare mix of intellect, style and great heart.
Following the UK premiere of his Chloe at the London Film Festival, Egoyan joins the Academy for the prestigious Lean Lecture. With generous support by the Lean Foundation, the lecture is an event in which the world’s most celebrated and compelling directors provide insight into their experiences and into their unique take on cinema and the industry.
Where: BAFTA Princess Anne Theatre, 195 Piccadilly, London W1J 9LN
The highly acclaimed artist and filmmaker comes to the BFI to discuss her career transition from gallery to cinema with Tim Marlow.
Whilst creating her first major artwork Killing Time in 1994, and the subsequent 1996 multi-screen works Travesty of a Mockery and Pent-Up, Sam Taylor-Wood gained valuable experience working with actors, and she has applied a cinematic sensibility to her still photographic work as well as her films ever since. Her diagnosis and recovery from both colon cancer in 1997 and breast cancer in 2001, influenced her already melancholic work, exploring and reflecting on the theme of mortality in such works as Still Life (2001) and A Little Death (2002) while experimenting with the distortion of time and motion. Pieces from 2005-2006; David, Prelude in Air and The Last Century, focus on moments of vulnerability and intimacy and remind us of elements now lost from our culture. Taylor-Wood's impressive short narrative film Love You More (LFF 2008) has much in common with her artwork, in as much that it is a simple idea, beautifully executed, and as with all of her work, it is the visual expression of the idea that is so original. We are proud to present the World Premiere of Sam's first feature Nowhere Boy as our Closing Night film, and very excited that she will be in conversation to discuss her work. Timothy Smith
Disney's A Christmas Carol World Premiere and London's Christmas Light Switch-Ons
London will celebrate the launch of a traditional festive season with one of the capital's biggest-ever Christmas events on 3 November. This year, the Christmas Lights across the West End and in the City of London will be switched on simultaneously.
There'll also be a fantastic Christmas concert, and a unique light show at St Paul's Cathedral.
All this will be followed by the world premiere of Disney's A Christmas Carol, attended by the major stars of the movie.
Where & When Christmas Lights Switch-on and Street Concert
London's Christmas lights will be switched on alongside street concerts between 5pm and 6.30pm on 3 November. Three locations across the city will come together to create London's first ever co-ordinated street concerts and Christmas light switch-on.
Oxford Circus – live concert with major performing artists from 5pm, switch-on of Disney's A Christmas Carol lights by Jim Carrey – finishes at 6.30pm
Regent Street – live concert with major performing artists from 5pm, switch-on of Disney's A Christmas Carol lights by Colin Firth and Robin Wright Penn – finishes at 6.30pm
St Paul's Cathedral – live concert with major performing artists from 5pm, light show on St Paul's Cathedral switched on by Bob Hoskins
All events are free to the public – get there early to grab a good viewing spot.
Sing Your Way into the Record Books Following the Christmas lights switch-on, the three stages will be linked for Londoners to join together to break the Guinness World Record for the largest number of people carol singing at one time! The singing will be led by the St Paul's Cathedral Choir.
The World Premiere of Disney's A Christmas Carol: Leicester Square 7.30pm After the Christmas lights switch-on, the focus will shift to Leicester Square for the world premiere of Disney's A Christmas Carol.
The film's world premiere will be one of the most glittering and star-studded premieres that London has ever seen, attended by all the major stars including Jim Carrey and director Robert Zemeckis.
The film will be screened in three of London's leading cinemas – the Odeon Leicester Square, the Empire Leicester Square and the Odeon West End, all in cutting-edge Disney Digital 3D – creating the biggest-ever 3D screening.
Curzon Cinemas is proud to welcome ANDREA ARNOLD in a post screening discussion along with the film on Sunday 13 September 3pm at Curzon Soho.
Justly picking up another Cannes Grand Jury Prize, Andrea Arnold’s follow-up to Red Road is an intense and surprising story of love, lust and family.
Fifteen-year-old Mia (Jarvis) is at war with everything: her family, her school, and the girls on her estate. Her one release is dancing, a passion that she practices in secret. Things change when her mother (Wareing) introduces charismatic new boyfriend Connor (Fassbender, Hunger) – but Arnold’s subtle and unpredictable script keeps us guessing as to just what influence the newcomer will bring to bear. Drawing a fantastically raw and yet immensely accomplished performance from newcomer Katie Jarvis, Arnold, who draws on her own background growing up in London’s East End, has crafted a potent and poetic British film that places her at the vanguard of world cinema.
Where Curzon Soho 99 Shaftesbury Avenue, London, W1D 5DY
The Oscar winning director comes to the BFI to discuss her impressive career.
There is often a deliberate ambiguity in a Jane Campion film which allows the audience to focus on what is unseen or unsaid and openly interpret the narrative possibilities. Since Campion's first short film Peel won the Palme d'Or at Cannes in 1982, she has made her mark internationally as a filmmaker with a distinctive visual and narrative style. Her use of strong female characters has undoubtedly contributed to her films becoming marked as powerful texts for feminist analysis. The recurring themes of madness and desire in Campion's work are prevalent in her debut feature Sweetie (LFF 1989), and a fascination with the darker side of romance is demonstrated by her declared passion for the Gothic literature of the Brontës, and exemplified in The Piano (for which Campion was nominated for a Best Director Oscar in 1993 and won for Best Screenplay, in addition to many other awards, including her second Palme d'Or). In the beautiful Bright Star, Campion sews her signature style poetically through the narrative to help create a sensitive portrayal of a tragic love story in a way that only Jane Campion could. Timothy Smith
Curzon Cinemas is delighted to welcome director and writer Park Chan-wook to discuss his latest film in this post screening Q&A.
A priest becomes a vampire… another man’s wife is coveted… a deadly seduction triggers murder. Sang-hyun (played by top Korean star Song Kang-ho, The Host) is a priest who cherishes life so much that he volunteers for a secret vaccine to eradicate a deadly virus. In the process however, he becomes infected by vampire blood and his faith is tested further when a childhood friend’s wife, Tae-ju (Kim Ok-vin), comes to him asking for help. Sang-hyun soon plunges into a world of sensual pleasures, finding himself on intimate terms with the Seven Deadly Sins. The new film from acclaimed director Park Chan-wook (Old Boy) was jointly awarded the Cannes 2009 Jury Prize.
Where Curzon Soho 99 Shaftesbury Avenue, London, W1D 5DY
Mother flipping Kevin Smith will be popping into Forbidden Planet to sign copies of his new book 'Shootin’ the Sh*t – The Best of SModcast'.
Shootin’ the Sh*t – The Best of SModcast are the captured freewheeling conversations with his friend and producer Scott Mosier (as heard on their top-rated podcast, known as SModcast), we discover — to pick just four random examples of the riches therein — the genesis of Stalin’s Monkey Soldier army, the horrifying tale of Kevin vs. Steak Tartare, how to make bukkake eggs, and how Kevin was once willing to let Alanis Morissette get mugged...
Defiantly lewd, crude and hilariously rude, Shootin’ the Sh*t with Kevin Smith is a must for all his fans!
Where Forbidden Planet Megastore, 179 Shaftesbury Avenue, London, WC2H 8JR
Finally a trailer for Solomon Kane! Written by Robert E Howard the creator of a huge host of characters including; Conan, Red Sonja, and Kull the Conqueror. Solomon Kane was a puritan that wondered the face of the Earth with no destination and a zero tolerance for evil. Think a middle ages Clint Eastwood that encounters supernatural beings. Apparently this is the first in a trilogy and if the trailer is anything to go by it looks kick ass. Hopefully it won't be another big budget fantasy film that disappoints in the same way Van Helsing and The League of Extraordinary Gentlemen does.
At one point Christoper Lambert (Highlander) was going to be Solomon Kane, which would have been interesting. However after watching "The Philanthropist" (first couple of episodes are mediocre, but Purefoy shines) I was keen to see James Purefoy as the stoic Solomon Kane. Looking at the trailer it seems the film is an adaptation of " The Castle of The Devil" and "The Sword of Solomon Kane". Both of which were released in comic format recently.
Jason Flemyng one of the stars of Solomon Kane recently hosted a Q&A for Kick Ass. I was kicking myself afterwards as I did not know he was in Kane. A missed opportunity to gain some insight into the treasure chest of Solomon Kane.
Paul Berrow Producer of Solomon Kane can be found on Twitter here @paulberrow
Expected release date: France 18 May 2009 (Cannes Film Market) Canada 16 September 2009 (Toronto Film Festival) Russia 31 December 2009 Netherlands 14 January 2010
Preview of Le Donk & Scor-zay-zee and Q&A with Shane Meadows, Paddy Considine and Mark Herbert.
Rock roadie, Le Donk, has lived, loved and learned. Along the way, he's lost a classy girlfriend but gained a sidekick, Scorz-Ayz-Ee. He sets out to make Scorz a star with a little help from the Artic Monkeys.
A freewheeling, no-budget experiment by one of the UK’s most prominent and successful producer/director teams, LE DONK was born out of Shane Meadows’ and Mark Herbert’s frustration at the sheer expense of time and money required to get a new project off the ground. Why not just get together an enthusiastic team (including the actor often cited as the De Niro to Meadows’ “Scorsese of the Midlands”, Paddy Considine), cobble together a skeleton script, and simply play for a few days? So, Considine broke out an earlier comic creation of his, an endearing/repellent rock’n’roll roadie known as Donk; an Arctic Monkeys gig provided the backdrop; and Meadows played himself, as a documentary-maker seeking to capture the secrets of a life lived just beyond the reach of the bright lights. Irrepressible fun.
Curzon Mayfair proudly welcomes director Terry Gilliam to the stage in a post screening discussion to answer
all audience questions.
THE IMAGINARIUM OF DR PARNASSUS
Dir: Terry Gilliam Starring: Christopher Plummer, Heath Ledger, Tom Waits.
A director seemingly affiliated with bad luck, that Terry Gilliam got to complete this at all is a minor miracle. A fantastical morality tale set in present-day London (for the most part at least), the alternate realities Gilliam spins will be more than familiar to fans of TIME BANDITS and BRAZIL. With more than a hint of Doctor Faustus, the film’s kernel is an ambitious travelling magician whose ambition has caused him to
enter a number of deals with the devil, the most personally damaging of which has seen Parnassus (played
impeccably by Plummer, THE NEW WORLD) trade immortality for his daughter (Lily Cole) on the occasion of her 16th birthday. A characteristic feast for the senses, the film is a fitting epitaph to Ledger, whose character is also ably portrayed in its transformative states by Jude Law, Colin Farrell and Johnny Depp.
Extremely entertaining, the film also has at its heart a larger than life turn from Tom Waits as the devil.
Tickets go on general sale on the Curzon website on Friday 4 September.
Wednesday 7 September, 6:10pm
Curzon Mayfair
38 Curzon St London W1J 7TY
To coincide with the BFI's 'Fight the Power: Do the Right Thing in Context' season, the BFI are pleased to announce that Spike Lee will be interviewed on-stage by David Lammy MP. The interview will focus on Lee's career to date, as well as exploring his thoughts around Do the Right Thing, 20 years on from its original release.
NB - Do the Right Thing screens at 18:30 in NFT1. Tickets to be booked separately. The Independent Interview with Spike LeeMonday September 21, 2009 at 8:45pm BFI Southbank NFT1 Belvedere Road London, England SE1 8XT Get Directions
onedotzero_preview: Up 3D + Q&A with Pete Docter & Jonas Rivera
Carl Fredericksen, a curmudgeonly 78-year-old balloon salesman, is not your average hero. When he ties thousands of balloons to his house and floats to the wilds of South America, he finally fulfills his life-long dream of adventure. But on discovering an 8-year-old stowaway named Russell, an unlikely duo, they soon find themselves on an hilarious journey in a lost world filled with danger and surprise.
Oliver Parker directs a strong cast in this adaptation of Oscar Wilde's classic novel of youth, excess and vanity. Adored for his beauty, Dorian Gray can seemingly have anything or anyone his heart desires. When this power is captured in a painting, Dorian wonders what he wouldn't do to stay as beautiful. As the painting begins to show the excesses of an indulgent lifestyle and Dorian himself stays ageless, it seems his wish come true...
The BFI are pleased to announce that this preview will be followed by a Q&A with director Oliver Parker and screenwriter Toby Finlay.
Preview: Dorian Gray and Q&A with director Oliver Parker and screenwriter Toby Finlay Wednesday September 9, 2009 at 6:20pm BFI Southbank NFT1 Belvedere Road London, England SE1 8XT
This formidable documentary follows overweight, middle-aged, alcoholic Slovenian daredevil environmentalist Martin Strel on a journey down the Amazon. Facing crocodiles, toxic waste, whirlpools, giant anacondas and piranhas, Strel attempts to swim the length of the mighty river, a seemingly impossible challenge that John Maringouin (director of a coruscating 2006 documentary about his father, Running Stumbled) captures in vivid style.
Preview Wednesday 2 September with a Q&A session featuring Martin Strel.
Preview of Big River Man and Q&A Wednesday 2 September 2009 at 6:30pm ICA Institute of Contemporary Arts 12 Carlton House Terrace London, England SW1Y 5AH
Three Little Words. All males have pondered Three Little Words at some time or other. If we say them is it a life-long commitment? What if I can't live up the commitment? Careful consideration has to be given regarding Three Little Words. One can't go around spewing Three Little Words all the time it has to be forever! And let's not forget the timing of Three Little Words too early or too and the mark will be missed. Forget comedic timing, the timing of Three Little Words can result in long term happiness or the worst weekend eva!
Ed Lilly's short film entry to the Virgin Media Shorts competition encapsulates the above quandary superbly whilst making you cringe or smile. Making a short film is difficult enough but engaging your audience and taking them along for the ride whether it be horror, drama or comedy is the Holy Grail of short film-making you have but 2-3 minutes to bring your audience into a made up world and ask them to engage in a scenario and have emotional buy in as well to ensure a pay off.
Of the 3 (horror, Drama or Comedy) comedy has to be the most difficult horror and drama has crutches like blood, shock, black & white film or dark ambient music. whilst comedy relies on actor's expression and timing to pull it off. I'm in awe of Ed's stylings with little more than a handful of actors and 2 locations he has created a scenario that engages. Three Little Words and She Farted And Created The World… have to be my favourite films of the shortlisted 12 to win the Virgin Media Shorts competition.
There seems to be lots of support from real players in the industry to champion undiscovered or unknown talent. For the Virgin medioa Shorts competion Virgin are ponying up a £30,000 prize to be used to make a film as well as the opportunity for your work to be judged by some star talent like Kevin Spacey, Gemma Arterton, Noel Clarke and Daniel Barber as well as many others. I hope the support doesn't dry up moving forward.
Has there ever been a better time to be a filmmaker in the UK?
!!JUST ANNOUNCED!! Robot Chicken Premiere and Q&A Seth Green via Webcast
It’s time, once more, to get ANIMATED!
Teaming up with popular cable channel Adult Swim, and the London International Animation Festival, Curzon Soho bring you a night of titillating, shocking and absurd animations on the big screen. Check out the premiere of Robot Chicken Season 2. Brain child of Seth Green, the skits play around with cult film, cult TV and celebrity personalities. We also present a special selection of freaky animations as a taster for the LIAF which starts on 31st Aug at Renoir Cinema.
Before the film we will be hosting a Q&A via webcast with Seth Green. Come prepared with your questions whether it be anything Robot Chicken, Buffy or Scott Evil!
The full schedule for Movie Con 2 can be found over here on Empire's website. Below are my highlights from day 2:
Day 2 started with a flash of fury, explosions and red metal, that's right! Some seriously awesome clips from Iron Man 2 were on display introduced by Robert (I'm in town to shoot some additional scenes for Guy Ritchie's Sherlock Holmes) Downey Jr. Unfortunately I was late and missed what was a highlight of day 2.
The legendary Kim Newman ran his now infamous Movie Quiz with the precision of a T800 which was loads of fun. One of the prizes was for a winner's name to be used in Mr. Newman's next novel.
Next up was a clip from the super tense Hurt Locker and Q&A with Director Kathryn Bigelow and screenwriter Mark Boal. Loosely based on Boal's experiences in Baghdad. Hurt Locker is refreshingly direct and will keep you on the edge of your seat. It could be seen as a natural progression to Point Break.
Optimum rolled out a hilarious and heartwarming presentation for Bunny And The Bull. Hosted by Director Paul King and Star Simon Farnaby. If you are looking for something that lands somewhere between a holiday, run by The Mighty Boosh filmed by Michel Gondry.
"Bunny & the Bull is a road movie set entirely in a flat. Stephen Turnbull hasn't been outside in months. Living with a painfully restrictive routine, he refuses to interact with the world or think about the past. When a sudden infestation of mice forces him to change his ways, he finds his mind hurtling back to the disastrous trek around Europe he undertook with his friend Bunny, a womanising, gambling-addicted booze-hound. Unable to stem the flood of memories, Stephen’s flat becomes the springboard for an extraordinary odyssey through landscapes made up of snapshots and souvenirs, from the industrial wastelands of Silesia to the bull fields of Andalusia. A story of love, disillusionment, stuffed bears and globalised seafood, Bunny & the Bull is an offbeat and heartfelt journey to the end of the room."
Next Director/Writer Stuart Hazeldine introduced Exam.
"Eight talented candidates have reached the final stage of selection to join the ranks of a mysterious and powerful corporation. Entering a windowless room, an Invigilator gives them eighty minutes to answer one simple question. He outlines three rules they must obey or be disqualified: don't talk to him or the armed guard by the door, don't spoil their papers and don't leave the room. He starts the clock and leaves. The candidates turn over their question papers, only to find they're completely blank. After the initial confusion has subsided, one frustrated candidate writes 'I believe you should hire me because...,' and is promptly ejected for spoiling. The remaining candidates soon figure out they're permitted to talk to each other, and they agree to cooperate in order to figure out the question: then they can compete to answer it. At first they suspect the question may be hidden in their papers like a security marker in a credit card, and they figure out ways to change their environment to expose the hidden words. But light, liquids and other plans all come to naught. Soon enough, the candidates begin to uncover each other's background, prejudices and hidden agendas. Tensions rise as the clock steadily descends towards zero, and each candidate must decide how far they are willing to go to secure the ultimate job." Tense stuff.
The end of the day closed with a 3D spectacular! You should know that I love 3D! Even the crappiest film in the world can become wonderful by either showing it in IMAX or 3D format. I have never seen a bad 3D film at the IMAX. Even the big screen 3D trailers are Worth the entry alone. So what if this new push towards 3D was engineered by Hollywood marketeers to revitalise the industry and shaft Movie piracy. I love it. The final hour and a half of of Movie Con was spectacular. In order:
Disney presented; The trailer & loads of footage from the mind boggling A Christmas Carol, the trailer for Toy Story 3, and footage from the much talked about Up.
Welcome back Flynn! Then we were shown the 3D trailer/footage from Tron Legacy ! This was the same bootleg footage that haunted the net after Comic Con last year and was recently released onto the net in high def. Except that this was in 3D on a BIG screen! Tron Legacy looks like it will be worth the 27 year wait.
Finally we were treated to footage from Jim Cameron's 4 years in the making AVATAR. Stolen from Empire's blog:
"James Cameron recorded a short introduction, just for Movie-Con II, to two scenes of footage from Avatar, due out in December. We wouldn’t be exaggerating too far if we say that jaws hit the floor. The first, short scene gave a flavour to the threat in the film: Stephen Lang’s Colonel Quaritch explaining to newcomers just how dangerous the world of Pandora is, and telling them frankly that they won’t all make it out alive. Then we saw Jake Sully’s (Sam Worthington) Avatar alive and working in the jungles of the planet. Having faced off one rhino*/hammerhead shark added by me:)*-looking beastie, he’s surprised by the much more dangerous spider-lynx looking monster, and a spectacular chase scene occurs. We also get a glimpse there of Sigourney Weaver’s Grace in action: check the next issue of Empire for more on that.
Naturally, we had to see that again, so we rewound and went for a second go." The team also let us know that there would be more & different footage shown on AVATAR day this Friday. Info here!
All that is left for me to say is thank you Empire & BFI. I had a wonderful time. Next year please bring some display cases and props with you. I'm just saying.