Tuesday 29 September 2009

Sherlock Holmes Screenplay

After finally catching serial killer and occult "sorcerer" Lord Blackwood, legendary sleuth Sherlock Holmes and his assistant Dr. Watson can close yet another successful case. But when Blackwood mysteriously returns from the grave and resumes his killing spree, Holmes must take up the hunt once again. Contending with his partner's new fiancée and the dimwitted head of Scotland Yard, the dauntless detective must unravel the clues that will lead him into a twisted web of murder, deceit, and black magic - and the deadly embrace of temptress Irene Adler.

Sherlock Holmes - Screenplay

Monday 28 September 2009

Rollerball screening

In the not-too-distant future, wars will no longer exist...

Wha-hey! It's all happening this month. There have been loads of classic screenings from The Rocky Horror Picture Show, Once upon a time in the west and 3 of my all time favourite films; The Warriors, The Thing and now Rollerball. Action overload!

One of the best dystopian sci-fi movies to come out of the 70s, Rollerball focuses on an ultra-violent sport used to keep an overpopulated planet under control and probes its links to politics, the media and big conglomerates. When a star player refuses to obey the owners of his team, the stage is set for a Gladiator-like confrontation between a rebellious individual and the corporate power that seeks to crush him.





Where
The Prince Charles Cinema
7 Leicester Place, WC2
Just north off Leicester Sq & up from Häagen-Dazs

When
8pm, Wednesday 7 October, 2009

Classic screening: Norman Jewison's Rollerball

In the not-too-distant future, wars will no longer exist...

Wha-hey! It's all happening this month. There have been loads of classic screenings from The Rocky Horror Picture Show, Once upon a time in the west and 3 of my all time favourite films; The Warriors, The Thing and now Rollerball. Action overload!

One of the best dystopian sci-fi movies to come out of the 70s, Rollerball focuses on an ultra-violent sport used to keep an overpopulated planet under control and probes its links to politics, the media and big conglomerates. When a star player refuses to obey the owners of his team, the stage is set for a Gladiator-like confrontation between a rebellious individual and the corporate power that seeks to crush him.






Where
The Prince Charles Cinema
7 Leicester Place, WC2
Just north off Leicester Sq & up from Häagen-Dazs

When
8pm, Wednesday 7 October, 2009

Tuesday 22 September 2009

Inglourious Basterds Screenplay

In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis.

Inglourious Basterds - Original Screenplay

Monday 21 September 2009

Tickets for Monday's screening of Disney's Crimson Flight & QA available

One lake, a million birds, an incredible story

In a remote and forgotten wilderness, one of nature's last great mysteries unfolds: the birth, life and survival of a million crimson-winged flamingos. Against the dramatic backdrop of unforgiving, never-before filmed landscapes, we follow the birth of a tiny flamingo hatchling, and the perils and fortunes of her life in the extraordinary 'other world' of Lake Natron in northern Tanzania.


The first title to be released under the new Disneynature label, THE CRIMSON WING will take you on a breathtaking and beautiful journey through a story that only nature itself could tell.

To download tickets simply go to www.seefilmfirst.com and enter code: 482610

The film starts at 6.30pm. Seefilmfirst tickets must be changed for cinema tickets at the cinema Box Office by 6.15pm. There will be a Q&A with the films producers and director at the end.

Where
Cineworld Haymarket
63-65 Haymarket, London, SW1Y 4RL

When
6.15 for 6:30pm, 21 September, 2009

Tickets for Monday's screening of Disney's Crimson Flight & QA available

One lake, a million birds, an incredible story

In a remote and forgotten wilderness, one of nature's last great mysteries unfolds: the birth, life and survival of a million crimson-winged flamingos. Against the dramatic backdrop of unforgiving, never-before filmed landscapes, we follow the birth of a tiny flamingo hatchling, and the perils and fortunes of her life in the extraordinary 'other world' of Lake Natron in northern Tanzania.





The first title to be released under the new Disneynature label, THE CRIMSON WING will take you on a breathtaking and beautiful journey through a story that only nature itself could tell.

To download tickets simply go to www.seefilmfirst.com and enter code: 482610

The film starts at 6.30pm. Seefilmfirst tickets must be changed for cinema tickets at the cinema Box Office by 6.15pm. There will be a Q&A with the films producers and director at the end.

Where
Cineworld Haymarket
63-65 Haymarket, London, SW1Y 4RL

When
6.15 for 6:30pm, 21 September, 2009

Classic Screening: The Prisoner (All Nighter)

No Man Is Just A Number.

Become a part of world history! To mark the Blu-Ray release of The Prisoner the first 125 Network customers who pre-order the Blu-Ray edition from the Network web site will receive a pair of tickets to "The Prisoner All Nighter", an all night extravaganza taking place at the Prince Charles Cinema in Central London on Saturday 26th September 2009 starting at 8.30pm, where every episode of The Prisoner will be screened in High Definition for the first time anywhere in the world. Will you still feel like a free man after being subjected to 17 TV hours in the village plus special guests who appeared in the show?




To obtain tickets you simply need to purchase a copy of The Prisoner the Complete Series (RRP £59.99) fromwww.networkdvd.co.uk.

• Tickets to this event for the pre-order DVD will be issued on a first come first serve basis.
• As well as these special tickets each attendee will also receive a 1967 reproduction ITC brochure exclusive to this event.


The Prisoner All Nighter
will be opened by Prisoner Loudspeaker Announcer Fenella Fielding and closed by an additional special guest. Attendees will also be entered into a prize draw t win some unique Prisoner merchandise.
Please note the Prince Charles Cineme are NOT taking any bookings for this, to obtain a ticket you MUST go via www.networkdvd.co.uk


Where
The Prince Charles Cinema
7 Leicester Place, WC2
Just north off Leicester Sq & up from Häagen-Dazs

When
8:30pm, Saturday 26 September, 2009

Classic Screening: The Prisoner (All Nighter)

No Man Is Just A Number.

Become a part of world history! To mark the Blu-Ray release of The Prisoner the first 125 Network customers who pre-order the Blu-Ray edition from the Network web site will receive a pair of tickets to "The Prisoner All Nighter", an all night extravaganza taking place at the Prince Charles Cinema in Central London on Saturday 26th September 2009 starting at 8.30pm, where every episode of The Prisoner will be screened in High Definition for the first time anywhere in the world. Will you still feel like a free man after being subjected to 17 TV hours in the village plus special guests who appeared in the show?





To obtain tickets you simply need to purchase a copy of The Prisoner the Complete Series (RRP £59.99) fromwww.networkdvd.co.uk.

• Tickets to this event for the pre-order DVD will be issued on a first come first serve basis.
• As well as these special tickets each attendee will also receive a 1967 reproduction ITC brochure exclusive to this event.


The Prisoner All Nighter
will be opened by Prisoner Loudspeaker Announcer Fenella Fielding and closed by an additional special guest. Attendees will also be entered into a prize draw t win some unique Prisoner merchandise.
Please note the Prince Charles Cineme are NOT taking any bookings for this, to obtain a ticket you MUST go via www.networkdvd.co.uk


Where
The Prince Charles Cinema
7 Leicester Place, WC2
Just north off Leicester Sq & up from Häagen-Dazs

When
8:30pm, Saturday 26 September, 2009

Sunday 20 September 2009

Preview: Fish Tank and Q&A with director Andrea Arnold

Curzon Cinemas is proud to welcome ANDREA ARNOLD in a post screening discussion along with the film on Sunday 13 September 3pm at Curzon Soho.

Justly picking up another Cannes Grand Jury Prize, Andrea Arnold’s follow-up to Red Road is an intense and surprising story of love, lust and family.


Fifteen-year-old Mia (Jarvis) is at war with everything: her family, her school, and the girls on her estate. Her one release is dancing, a passion that she practices in secret. Things change when her mother (Wareing) introduces charismatic new boyfriend Connor (Fassbender, Hunger) – but Arnold’s subtle and unpredictable script keeps us guessing as to just what influence the newcomer will bring to bear. Drawing a fantastically raw and yet immensely accomplished performance from newcomer Katie Jarvis, Arnold, who draws on her own background growing up in London’s East End, has crafted a potent and poetic British film that places her at the vanguard of world cinema.



Where
Curzon Soho
99 Shaftesbury Avenue, London, W1D 5DY

When
3pm, Sunday 13 October, 2009

Preview: Fish Tank and Q&A with director Andrea Arnold

Curzon Cinemas is proud to welcome ANDREA ARNOLD in a post screening discussion along with the film on Sunday 13 September 3pm at Curzon Soho.

Justly picking up another Cannes Grand Jury Prize, Andrea Arnold’s follow-up to Red Road is an intense and surprising story of love, lust and family.


Fifteen-year-old Mia (Jarvis) is at war with everything: her family, her school, and the girls on her estate. Her one release is dancing, a passion that she practices in secret. Things change when her mother (Wareing) introduces charismatic new boyfriend Connor (Fassbender, Hunger) – but Arnold’s subtle and unpredictable script keeps us guessing as to just what influence the newcomer will bring to bear. Drawing a fantastically raw and yet immensely accomplished performance from newcomer Katie Jarvis, Arnold, who draws on her own background growing up in London’s East End, has crafted a potent and poetic British film that places her at the vanguard of world cinema.




Where
Curzon Soho
99 Shaftesbury Avenue, London, W1D 5DY

When
3pm, Sunday 13 October, 2009

Saturday 19 September 2009

The Times BFI 53rd London Film Festival: Wallace & Gromit's 20th Anniversary

Master animator Nick Park discusses his illustrious career and helps us celebrate 20 years since Wallace & Gromit hit our screens.



As a child, Nick Park's career aspirations included being an artist for the Beano comic and an inventor. By far, his best invention has been Wallace & Gromit, who first appeared on our screens 20 years ago. In 1985, Park became an invaluable addition to Aardman Animations, and A Grand Day Out (which he began as a student at the NFTS) earned him his first of many BAFTA awards. Four Academy Awards followed, not just for his much-loved shorts Creature Comforts, The Wrong Trousers and A Close Shave, but also for his feature Wallace & Gromit: The Curse of the Were-Rabbit. Park's perfectionist attention to detail and his ability to infuse his plasticine characters with humanity and humour (not to mention giving an immense vocabulary and emotional range to a dog that never speaks a word) is testament to the genius of his imagination and to his unsurpassed talent as an animator. To celebrate Park's 'cracking' achievements we are delighted to be able to screen A Grand Day Out, digitally remastered for the occasion. Nick Park will be interviewed on stage after the screening by journalist David Gritten. Timothy Smith









Where

BFI NFT1

When
15:15 Sat 24 October

The Times BFI 53rd London Film Festival: Wallace & Gromit's 20th Anniversary

Master animator Nick Park discusses his illustrious career and helps us celebrate 20 years since Wallace & Gromit hit our screens.



As a child, Nick Park's career aspirations included being an artist for the Beano comic and an inventor. By far, his best invention has been Wallace & Gromit, who first appeared on our screens 20 years ago. In 1985, Park became an invaluable addition to Aardman Animations, and A Grand Day Out (which he began as a student at the NFTS) earned him his first of many BAFTA awards. Four Academy Awards followed, not just for his much-loved shorts Creature Comforts, The Wrong Trousers and A Close Shave, but also for his feature Wallace & Gromit: The Curse of the Were-Rabbit. Park's perfectionist attention to detail and his ability to infuse his plasticine characters with humanity and humour (not to mention giving an immense vocabulary and emotional range to a dog that never speaks a word) is testament to the genius of his imagination and to his unsurpassed talent as an animator. To celebrate Park's 'cracking' achievements we are delighted to be able to screen A Grand Day Out, digitally remastered for the occasion. Nick Park will be interviewed on stage after the screening by journalist David Gritten. Timothy Smith








Where

BFI NFT1

When
15:15 Sat 24 October

Friday 18 September 2009

Friday Film Location: 28 Days Later, London UK

The Days Are Numbered

28 Days Later
Stars: Cillian Murphy - Jim, Naomie Harris - Selena, Brendan Gleeson - Frank, Christopher Eccleston - Major Henry West
Westminster Bridge as seen in 28 Days Later - Westminster, London
















It has been twenty-eight days since Jim, a young bicycle courier, was knocked off his bike and injured in a car accident. When he wakes up from his coma, the world has changed. Four weeks after a mysterious, incurable virus spreads throughout the UK, a handful of survivors try to find sanctuary.

A critical and commercial success, 28 Days Later is widely recognized for images of a deserted London. It spawned the 2007 sequel, 28 Weeks Later, the graphic novel 28 Days Later: The Aftermath, and a possible third film.

28 Days Later features scenes set in normally bustling parts of London such as Westminster Bridge, Piccadilly Circus, Horse Guards Parade and Oxford Street. In order to depict these locations as desolate, police would close the roads at 4am and filming would begin immediately. It would last for one hour, and at that time the police would reopen the roads.
As well as having to deal with traffic, the producers also had to ask clubbers to find alternative routes home. In terms of the traffic, the producers correctly predicted that asking drivers to either wait for up to an hour or find another way might cause some considerable consternation. As such, they employed several extremely attractive young women (one of whom was Danny Boyle's daughter) to make the necessary requests. This plan had the desired results, as the drivers responded quite amicably to the young girls.

For the London scene where Jim walks by the overturned double-decker bus, the film crew placed the bus on its side and removed it when the shot was finished, all within 20 minutes.


Where:
Westminster Bridge, Westminster and South Bank, London SE1 and SW1


View Larger Map
Trivia:
It's not explained in the film but the infected are attracted to the tone in human voices.
The decision to film on DV (using Canon XL1 cameras) was both an aesthetic and a logistic choice.
- Danny Boyle felt that the harshness of the DV imagery suited the post-apocalyptic urban landscape and the grittiness of the film in general.
- All the scenes of the Infected in a particular style - using a type of slow motion feature on the Canon XL1 DV cameras with which the film was shot. Shooting at that speed on a film camera gives basic slow motion, but doing so on a DV camera produces the kind of staccato effect seen in scenes involving the Infected.
- "The police and the local authorities were quite happy to assist us because we could set up scenes so quickly. We could literally be ready to shoot with a six-camera set-up within minutes - something we would not realistically have been able to do if shooting under the restrictions of 35mm which takes a good deal more time to set up a single shot."

Westminster Bridge can also be seen in; Doctor Who (1964 & 2005), Monty Python's Flying Circus, 102 Dalmatians, Harry Potter and The Order of The Phoenix

Friday Film Location: 28 Days Later, London UK

The Days Are Numbered

28 Days Later
Stars: Cillian Murphy - Jim, Naomie Harris - Selena, Brendan Gleeson - Frank, Christopher Eccleston - Major Henry West
Westminster Bridge as seen in 28 Days Later - Westminster, London













It has been twenty-eight days since Jim, a young bicycle courier, was knocked off his bike and injured in a car accident. When he wakes up from his coma, the world has changed. Four weeks after a mysterious, incurable virus spreads throughout the UK, a handful of survivors try to find sanctuary.

A critical and commercial success, 28 Days Later is widely recognized for images of a deserted London. It spawned the 2007 sequel, 28 Weeks Later, the graphic novel 28 Days Later: The Aftermath, and a possible third film.

28 Days Later features scenes set in normally bustling parts of London such as Westminster Bridge, Piccadilly Circus, Horse Guards Parade and Oxford Street. In order to depict these locations as desolate, police would close the roads at 4am and filming would begin immediately. It would last for one hour, and at that time the police would reopen the roads.
As well as having to deal with traffic, the producers also had to ask clubbers to find alternative routes home. In terms of the traffic, the producers correctly predicted that asking drivers to either wait for up to an hour or find another way might cause some considerable consternation. As such, they employed several extremely attractive young women (one of whom was Danny Boyle's daughter) to make the necessary requests. This plan had the desired results, as the drivers responded quite amicably to the young girls.

For the London scene where Jim walks by the overturned double-decker bus, the film crew placed the bus on its side and removed it when the shot was finished, all within 20 minutes.


Where:
Westminster Bridge, Westminster and South Bank, London SE1 and SW1


View Larger Map
Trivia:
It's not explained in the film but the infected are attracted to the tone in human voices.
The decision to film on DV (using Canon XL1 cameras) was both an aesthetic and a logistic choice.
- Danny Boyle felt that the harshness of the DV imagery suited the post-apocalyptic urban landscape and the grittiness of the film in general.
- All the scenes of the Infected in a particular style - using a type of slow motion feature on the Canon XL1 DV cameras with which the film was shot. Shooting at that speed on a film camera gives basic slow motion, but doing so on a DV camera produces the kind of staccato effect seen in scenes involving the Infected.
- "The police and the local authorities were quite happy to assist us because we could set up scenes so quickly. We could literally be ready to shoot with a six-camera set-up within minutes - something we would not realistically have been able to do if shooting under the restrictions of 35mm which takes a good deal more time to set up a single shot."

Westminster Bridge can also be seen in; Doctor Who (1964 & 2005), Monty Python's Flying Circus, 102 Dalmatians, Harry Potter and The Order of The Phoenix

Hitchcon'09 - Celebrating 30 Years of The Hitchiker's Guide To The Galaxy


Get yourself a ticket for the biggest party the unfashionable end of the galaxy has ever seen and join best-selling author Eoin Colfer – creator of criminal mastermind Artemis Fowl – and actor Simon Jones, the original Arthur Dent, in a celebration of 30 years of the late, great Douglas Adams’ classic British comedy. This’ll be your first chance to see, hear and buy the sixth instalment, And Another Thing... by Eoin Colfer.

With other out-of-this-world entertainment throughout the day – including special free screenings of the Hitchhiker’s series in The Clore Ballroom – this is one event no self-respecting lover of classic British comedy will want to miss.



Events include:
Photo Call
Start the day at a photocall of the largest number of Hitchhiker's fans ever.

Session 1: The Douglas Adams Chat Show
A full panel of Hitchhiker’s experts and friends of Douglas Adams discusses the great man and his work.

Booksigning: Mega-signing of the fantastic new edition of the first five Hitchhiker's novels.

Sessions 2 & 3 (And Another Thing... & Hitchhikers Live On Stage!)
The sixth book in the series, special guests and a live gig – Sessions 2 & 3 of our day-long celebration of The Hitchhiker’s Guide to the Galaxy.

Booksigning: Eoin Colfer
Buy the new sixth book in the series a day before everyone else and get it signed by Eoin Colfer.



Where
The Southbank Centre
Belvedere Road, London, SE1 8XX

When
Sunday 11 October, 2009

Hitchcon'09 - Celebrating 30 Years of The Hitchiker's Guide To The Galaxy


Get yourself a ticket for the biggest party the unfashionable end of the galaxy has ever seen and join best-selling author Eoin Colfer – creator of criminal mastermind Artemis Fowl – and actor Simon Jones, the original Arthur Dent, in a celebration of 30 years of the late, great Douglas Adams’ classic British comedy. This’ll be your first chance to see, hear and buy the sixth instalment, And Another Thing... by Eoin Colfer.

With other out-of-this-world entertainment throughout the day – including special free screenings of the Hitchhiker’s series in The Clore Ballroom – this is one event no self-respecting lover of classic British comedy will want to miss.

One of the best dystopian sci-fi movies to come out of the 70s, Rollerball focuses on an ultra-violent sport used to keep an overpopulated planet under control and probes its links to politics, the media and big conglomerates. When a star player refuses to obey the owners of his team, the stage is set for a Gladiator-like confrontation between a rebellious individual and the corporate power that seeks to crush him.





Events include:
Photo Call
Start the day at a photocall of the largest number of Hitchhiker's fans ever.

Session 1: The Douglas Adams Chat Show
A full panel of Hitchhiker’s experts and friends of Douglas Adams discusses the great man and his work.

Booksigning: Mega-signing of the fantastic new edition of the first five Hitchhiker's novels.

Sessions 2 & 3 (And Another Thing... & Hitchhikers Live On Stage!)
The sixth book in the series, special guests and a live gig – Sessions 2 & 3 of our day-long celebration of The Hitchhiker’s Guide to the Galaxy.

Booksigning: Eoin Colfer
Buy the new sixth book in the series a day before everyone else and get it signed by Eoin Colfer.



Where
The Southbank Centre
Belvedere Road, London, SE1 8XX

When
Sunday 11 October, 2009

Duncan Jones's next film Mute & the fate of Sam Bell


By know you know that Director Duncan Jones's next film will not be an adaptation of "Escape from the Deep" as anticipated.

It sounds like "Escape from the Deep" the true story of a WW2 submarine crew that go to hell and back will be tackled after another forage into the Sci Fi with "Mute". More information about the Alex Kershaw book "Escape from the Deep" can be
found here http://www.escapefromthedeep.com/.

Mute
The Mute concept art released via Jone's Liberty Films website looks pretty damn spiffy and tantalising enough to keep Sci Fi fans wanting more. The artwork is very reminiscent of Syd Mead's conceptual art for Blade Runner. Interesting to note that the signage in the street scene says Fremde which is German for strange, but could also mean foreign or Alien. Jones has said that Mute is not about Aliens as such. I'm guessing that this scene is some high class clientele leaving a bar/club that caters for strange tastes. This is possibly the club that the lead's girlfriend works at before disappearing. Then again it could just be a street scene.





Mute is basically the other side of the coin from Moon. Moon is about isolation, loneliness, living on your own and having to find a way to deal with that.

Mute is based in a future Berlin, so it's a big city film, a thriller in a city that so full and so unfriendly in a way. It's going to be a very different kind of film - but a good companion piece.

Mute is a much busier, nosier kind of film. It’s a thriller based in a future Berlin…. If Moon is inspired by films like Outland and Silent Running, then Mute, is inspired by Blade Runner.

For twitter updates on everything Duncan Jones's including Mute follow: @manmademovies

You can follow Duncan Jones here: @manmademoon

You can follow Moon Producer Stuart Fenegan (One of Variety's 10 Producers to Watch) here: @LibertyStu (Warning! Does not update much - yet)

The most media rich news can be found on the Liberty Films blog here: http://blog.manmademovies.co.uk/

Follow the Moon Facebook Group here:
http://www.facebook.com/pages/manmademovies/151750620947

Duncan Jones's next film Mute & the fate of Sam Bell


By know you know that Director Duncan Jones's next film will not be an adaptation of "Escape from the Deep" as anticipated.

It sounds like "Escape from the Deep" the true story of a WW2 submarine crew that go to hell and back will be tackled after another forage into the Sci Fi with "Mute". More information about the Alex Kershaw book "Escape from the Deep" can be
found here http://www.escapefromthedeep.com/.

Mute
The Mute concept art released via Jone's Liberty Films website looks pretty damn spiffy and tantalising enough to keep Sci Fi fans wanting more. The artwork is very reminiscent of Syd Mead's conceptual art for Blade Runner. Interesting to note that the signage in the street scene says Fremde which is German for strange, but could also mean foreign or Alien. Jones has said that Mute is not about Aliens as such. I'm guessing that this scene is some high class clientele leaving a bar/club that caters for strange tastes. This is possibly the club that the lead's girlfriend works at before disappearing. Then again it could just be a street scene.



Mute is basically the other side of the coin from Moon. Moon is about isolation, loneliness, living on your own and having to find a way to deal with that.

Mute is based in a future Berlin, so it's a big city film, a thriller in a city that so full and so unfriendly in a way. It's going to be a very different kind of film - but a good companion piece.

Mute is a much busier, nosier kind of film. It’s a thriller based in a future Berlin…. If Moon is inspired by films like Outland and Silent Running, then Mute, is inspired by Blade Runner.

For twitter updates on everything Duncan Jones's including Mute follow:
@manmademovies

You can follow Duncan Jones here:
@manmademoon

You can follow Moon Producer Stuart Fenegan (One of Variety's 10 Producers to Watch) here:
@LibertyStu (Warning! Does not update much - yet)

The most media rich news can be found on the Liberty Films blog here:
http://blog.manmademovies.co.uk/

Follow the Moon Facebook Group here:

http://www.facebook.com/pages/manmademovies/151750620947

Thursday 17 September 2009

Action Overload! IP Man finally comes to the ICA

Everyone needs to choose his own path

An exclusive ICA release. A huge hit in China and Hong Kong, Yip Man or Ip Man is the semi-biographical account of Yip Man, the first martial arts master to teach the Chinese (as well as Bruce Lee) the martial art of Wing Chun.

The charismatic Donnie Yen plays the lead in this period tale set against the backdrop of the second Sino-Japanese War during the 1930s, and Johnnie To favourite Simon Yam also stars. Director Wilson Yip brings his customary dynamism to proceedings, although the man who really pulls it all together is the legendary Sammo Hung. His work here as action choreographer won a Hong Kong Film Award, as did the film itself.



In the scene above a Japanese General is giving out white rice to any Chinese person who defeats the Japanese fighters at a ratio of 1 bag per 1 defeated fighter.

Prior to this scene the General has killed Ip Man's friend (Sifu Liu) in a duel. Ip Man demands a fight with 10 of the black belts. Upon his victory, he refuses to take his reward, the 10 bags of rice and says "I did not come here for the rice". The General asks for his name and Ip Man replies "I am just a Chinese". The interpreter tells the General, "He is Ip Man".

Where
The Institute of Contemporary Arts (ICA)
12 Carlton House Terrace, London, SW1Y 5AH

When
2 - 22 Oct, 2009

Action Overload! IP Man finally comes to the ICA

Everyone needs to choose his own path

An exclusive ICA release. A huge hit in China and Hong Kong, Yip Man or Ip Man is the semi-biographical account of Yip Man, the first martial arts master to teach the Chinese (as well as Bruce Lee) the martial art of Wing Chun.

The charismatic Donnie Yen plays the lead in this period tale set against the backdrop of the second Sino-Japanese War during the 1930s, and Johnnie To favourite Simon Yam also stars. Director Wilson Yip brings his customary dynamism to proceedings, although the man who really pulls it all together is the legendary Sammo Hung. His work here as action choreographer won a Hong Kong Film Award, as did the film itself.



In the scene above a Japanese General is giving out white rice to any Chinese person who defeats the Japanese fighters at a ratio of 1 bag per 1 defeated fighter.

Prior to this scene the General has killed Ip Man's friend (Sifu Liu) in a duel. Ip Man demands a fight with 10 of the black belts. Upon his victory, he refuses to take his reward, the 10 bags of rice and says "I did not come here for the rice". The General asks for his name and Ip Man replies "I am just a Chinese". The interpreter tells the General, "He is Ip Man".

Where
The Institute of Contemporary Arts (ICA)
12 Carlton House Terrace, London, SW1Y 5AH

When
2 - 22 Oct, 2009

The Times BFI 53rd London Film Festival: Clive Owen Talk

Held in the highest regard by everyone he's worked with, Coventry's favourite son comes to the BFI for a discussion about his career.



Straight out of drama school, Clive Owen landed a starring role in his first feature Vroom (LFF 1988) and within two years he was starring in TV crime drama Chancer. Concerned that he would be stereotyped into television roles, he chose to take a controversial role in Stephen Poliakoff's Close My Eyes which fed his desire to explore a more interesting career path in both film and theatre. Since then, Owen has taken particular care to work with scripts that he feels passionate about, and has the highest regard for the actors and directors that he works with. This strong work ethic has seen repeat collaborations with director Mike Hodges on Croupier and I'll Sleep When I'm Dead, and he has enjoyed working more than once with Julia Roberts and Paul Giamatti. The hard work was rewarded with both a BAFTA and a Golden Globe for his performance in Closer, and Owen went on to impress as anti-hero Dwight McCarthy in Sin City. His work on Children of Men was also highly acclaimed, and writer-director Alfonso Cuaron has personally credited Owen with contributing to the script. The Boys Are Back sees Owen in a very different acting role (as well as Executive Producer), and working once again with a wonderful script. We are very pleased to welcome such a dedicated actor to take part in the BFI Screen Talks series. Timothy Smith









Where

BFI NFT1

When
18:30 Thu 22 October

The Times BFI 53rd London Film Festival: Clive Owen Talk

Held in the highest regard by everyone he's worked with, Coventry's favourite son comes to the BFI for a discussion about his career.



Straight out of drama school, Clive Owen landed a starring role in his first feature Vroom (LFF 1988) and within two years he was starring in TV crime drama Chancer. Concerned that he would be stereotyped into television roles, he chose to take a controversial role in Stephen Poliakoff's Close My Eyes which fed his desire to explore a more interesting career path in both film and theatre. Since then, Owen has taken particular care to work with scripts that he feels passionate about, and has the highest regard for the actors and directors that he works with. This strong work ethic has seen repeat collaborations with director Mike Hodges on Croupier and I'll Sleep When I'm Dead, and he has enjoyed working more than once with Julia Roberts and Paul Giamatti. The hard work was rewarded with both a BAFTA and a Golden Globe for his performance in Closer, and Owen went on to impress as anti-hero Dwight McCarthy in Sin City. His work on Children of Men was also highly acclaimed, and writer-director Alfonso Cuaron has personally credited Owen with contributing to the script. The Boys Are Back sees Owen in a very different acting role (as well as Executive Producer), and working once again with a wonderful script. We are very pleased to welcome such a dedicated actor to take part in the BFI Screen Talks series. Timothy Smith







Where

BFI NFT1

When
18:30 Thu 22 October

Wednesday 16 September 2009

Peter Jackson's Crossing the Line shot on the Red One



A while back (2007) Peter Jackson directed a short film entitled Crossing the Line to test a new model of digital Cinema camera, the RED ONE. The film takes place during World War I, and was shot in two days. "Crossing the Line" was shown at NAB 2007 (the USA National Association of Broadcasters). Clips of the film can be found at Reduser.net.


The Red Digital Cinema Camera Company manufactures digital cinematography cameras and accessories for professional and cinematic use. The company's main product is the Red One, capable of recording at resolutions up to 4096 horizontal by 2304 vertical pixels, directly to flash or hard disk storage. It features a single Super 35-sized CMOS sensor and a cinematography industry standard PL mount.

The Red One does not capture at standard definition or high definition resolutions. However, as part of the process of delivering the raw image data recorded by the camera, the RedCine desktop software can downscale to these resolutions. This process yields extremely high-quality output due to significant oversampling.

On November 13, 2008, larger formats were announced, including a proposed expansion of up to 28,000 horizontal pixels, for a 261 megapixel sensor.

For comparative purposes click the image for a graphic representation of various shows the image resolution of camera outputs. Pixel range from NTSC to 28K resolution shown in comparison at one-tenth scale to other digital video formats. "K" means thousands and refers to the horizontal pixel count, rounded.

Peter Jackson's Crossing the Line shot on the Red One



A while back (2007) Peter Jackson directed a short film entitled Crossing the Line to test a new model of digital Cinema camera, the RED ONE. The film takes place during World War I, and was shot in two days. "Crossing the Line" was shown at NAB 2007 (the USA National Association of Broadcasters). Clips of the film can be found at Reduser.net.


The Red Digital Cinema Camera Company manufactures digital cinematography cameras and accessories for professional and cinematic use. The company's main product is the Red One, capable of recording at resolutions up to 4096 horizontal by 2304 vertical pixels, directly to flash or hard disk storage. It features a single Super 35-sized CMOS sensor and a cinematography industry standard PL mount.

The Red One does not capture at standard definition or high definition resolutions. However, as part of the process of delivering the raw image data recorded by the camera, the RedCine desktop software can downscale to these resolutions. This process yields extremely high-quality output due to significant oversampling.

On November 13, 2008, larger formats were announced, including a proposed expansion of up to 28,000 horizontal pixels, for a 261 megapixel sensor.

For comparative purposes click the image for a graphic representation of various shows the image resolution of camera outputs. Pixel range from NTSC to 28K resolution shown in comparison at one-tenth scale to other digital video formats. "K" means thousands and refers to the horizontal pixel count, rounded.

The Times BFI 53rd London Film Festival: Jane Campion Talk

The Oscar winning director comes to the BFI to discuss her impressive career.


There is often a deliberate ambiguity in a Jane Campion film which allows the audience to focus on what is unseen or unsaid and openly interpret the narrative possibilities. Since Campion's first short film Peel won the Palme d'Or at Cannes in 1982, she has made her mark internationally as a filmmaker with a distinctive visual and narrative style. Her use of strong female characters has undoubtedly contributed to her films becoming marked as powerful texts for feminist analysis. The recurring themes of madness and desire in Campion's work are prevalent in her debut feature Sweetie (LFF 1989), and a fascination with the darker side of romance is demonstrated by her declared passion for the Gothic literature of the Brontës, and exemplified in The Piano (for which Campion was nominated for a Best Director Oscar in 1993 and won for Best Screenplay, in addition to many other awards, including her second Palme d'Or). In the beautiful Bright Star, Campion sews her signature style poetically through the narrative to help create a sensitive portrayal of a tragic love story in a way that only Jane Campion could. Timothy Smith







Where

BFI NFT1

When
18:30 Tue 20 October

The Times BFI 53rd London Film Festival: Jane Campion Talk

The Oscar winning director comes to the BFI to discuss her impressive career.



There is often a deliberate ambiguity in a Jane Campion film which allows the audience to focus on what is unseen or unsaid and openly interpret the narrative possibilities. Since Campion's first short film Peel won the Palme d'Or at Cannes in 1982, she has made her mark internationally as a filmmaker with a distinctive visual and narrative style. Her use of strong female characters has undoubtedly contributed to her films becoming marked as powerful texts for feminist analysis. The recurring themes of madness and desire in Campion's work are prevalent in her debut feature Sweetie (LFF 1989), and a fascination with the darker side of romance is demonstrated by her declared passion for the Gothic literature of the Brontës, and exemplified in The Piano (for which Campion was nominated for a Best Director Oscar in 1993 and won for Best Screenplay, in addition to many other awards, including her second Palme d'Or). In the beautiful Bright Star, Campion sews her signature style poetically through the narrative to help create a sensitive portrayal of a tragic love story in a way that only Jane Campion could. Timothy Smith







Where

BFI NFT1

When
18:30 Tue 20 October

Play: Kurt & Sid at Trafalgar Studios

Kurt & Sid, starring Danny Dyer and Shaun Evans. From 9 September - 03 October 2009 at the Trafalgar Studios, London.

Roy Smiles witty and beautifully poignant new play explores exactly what it means to dice with death when being alive proves to be all too painful and peace seems elusive…

April 1994. A man sits alone in an attic extension on the cusp of becoming a Seattle suicide statistic. This man is no ‘number and name’ to be reported in a local newspaper. He is an icon, albeit a reluctant one. The frontman of Nirvana. is about to pull the trigger of the gun in his hand and join the leagues of rock star deaths down the ages. Without invitation, Kurt has the curious company of a man purporting to be the Sex Pistol’s Sid Vicious, Kurt’s hero.

Whether he is a ghost, a figment of Kurt’s imagination, an hallucination, a dream, or a Punk impersonator remains to be seen as the two musicians, trade quips and quotes about the emptiness of fame, a mutual understanding of drug addiction and self-destruction.

Where
Trafalgar Studios
Whitehall, London, SW1A 2DY

When
Weds 9 September - Saturday 3 October

Play: Kurt & Sid at Trafalgar Studios

Kurt & Sid, starring Danny Dyer and Shaun Evans. From 9 September - 03 October 2009 at the Trafalgar Studios, London.

Roy Smiles witty and beautifully poignant new play explores exactly what it means to dice with death when being alive proves to be all too painful and peace seems elusive…

April 1994. A man sits alone in an attic extension on the cusp of becoming a Seattle suicide statistic. This man is no ‘number and name’ to be reported in a local newspaper. He is an icon, albeit a reluctant one. The frontman of Nirvana. is about to pull the trigger of the gun in his hand and join the leagues of rock star deaths down the ages. Without invitation, Kurt has the curious company of a man purporting to be the Sex Pistol’s Sid Vicious, Kurt’s hero.

Whether he is a ghost, a figment of Kurt’s imagination, an hallucination, a dream, or a Punk impersonator remains to be seen as the two musicians, trade quips and quotes about the emptiness of fame, a mutual understanding of drug addiction and self-destruction.

Where
Trafalgar Studios
Whitehall, London, SW1A 2DY

When
Weds 9 September - Saturday 3 October

Trailer for The Twilight Saga: New Moon



Bella Swan is still very much in love with vampire, Edward Cullen. The rest of the vampire coven who call themselves the Cullens, especially Alice, decide to throw Bella a private party for her eighteenth birthday. Things go wrong when Bella slices her finger and thirst overcomes the vampires. As a result of the danger Bella was put through, the Cullen family decide to leave Forks, Washington. At first Bella exempts herself from all social activities, until she realizes she can coexist with childhood friend, Jacob Black. As usual for Bella, things aren't what they seem. Something is happening to Jacob that he can't explain to Bella, and their friendship starts to deteriorate. But when someone from Bella's past comes back to haunt her, everything will change again.


Trailer for The Twilight Saga: New Moon



Bella Swan is still very much in love with vampire, Edward Cullen. The rest of the vampire coven who call themselves the Cullens, especially Alice, decide to throw Bella a private party for her eighteenth birthday. Things go wrong when Bella slices her finger and thirst overcomes the vampires. As a result of the danger Bella was put through, the Cullen family decide to leave Forks, Washington. At first Bella exempts herself from all social activities, until she realizes she can coexist with childhood friend, Jacob Black. As usual for Bella, things aren't what they seem. Something is happening to Jacob that he can't explain to Bella, and their friendship starts to deteriorate. But when someone from Bella's past comes back to haunt her, everything will change again.



Tuesday 15 September 2009

Film Networking : FILM NETWORKING PARTY @ The Kingly Club

You are cordially invited to THE KINGLY CLUB'S FILM NETWORKING PARTY on Tuesaday 15 September, 2009. 9PM till late.

An event exclusiverly for film creatives who want to hobnob & mingle. Come network & make exciting connections in film.


Staged at the chic and illustrious Kingly Club, the event is designed exclusively for film creatives who want to hobnob and mingle. It will be attended by some of the leading aficionados of the movie industry from directors to writers, producers to investors, actors and many others. This will be your chance to come network and make exciting connections that could lead to new and inspiring projects. Or just meet like minded individuals and have a laugh over a cocktail or 2. Or 3.Whilst listening to Fabulous superstar DJ Kris Di Angelis who will be spinning some movie themed tunes.

If you are passionate about the film industry, then this event is not to be missed.

NB: These networking events work via recommendation and word of mouth so do forward this email to anyone else you think might be interested.

Where
The Kingly Club
4 Kingly Court Soho London W1B 5PW

When
Tuesday 15 September from from 9pm

Film Networking : FILM NETWORKING PARTY @ The Kingly Club

You are cordially invited to THE KINGLY CLUB'S FILM NETWORKING PARTY on Tuesaday 15 September, 2009. 9PM till late.

An event exclusiverly for film creatives who want to hobnob & mingle. Come network & make exciting connections in film.


Staged at the chic and illustrious Kingly Club, the event is designed exclusively for film creatives who want to hobnob and mingle. It will be attended by some of the leading aficionados of the movie industry from directors to writers, producers to investors, actors and many others. This will be your chance to come network and make exciting connections that could lead to new and inspiring projects. Or just meet like minded individuals and have a laugh over a cocktail or 2. Or 3.Whilst listening to Fabulous superstar DJ Kris Di Angelis who will be spinning some movie themed tunes.

If you are passionate about the film industry, then this event is not to be missed.

NB: These networking events work via recommendation and word of mouth so do forward this email to anyone else you think might be interested.

Where
The Kingly Club
4 Kingly Court Soho London W1B 5PW

When
Tuesday 15 September from from 9pm

Dan Brown's New Thriller! The Lost Symbol released today

Dan Brown’s new novel, the eagerly awaited follow-up to his #1 international phenomenon, The Da Vinci Code, which was the bestselling hardcover adult novel of all time, will be available today (September 15, 2009).

The Lost Symbol will once again feature Dan Brown’s unforgettable protagonist, Robert Langdon.

“The Lost Symbol is a brilliant and compelling thriller. Dan Brown’s prodigious talent for storytelling, infused with history, codes and intrigue, is on full display in this new book. This is one of the most anticipated publications in recent history, and it was well worth the wait,” said Sonny Mehta, Chairman and Editor in Chief of the Knopf Doubleday Publishing Group.

The Lost Symbol Website and game: http://www.thelostsymbol.com/
The Lost Symbol on Twitter: http://twitter.com/LostSymbolBook
Download a PDF of the book cover now to see all the artwork details: http://www.danbrown.com/pdf/TLS_cover.pdf


Where
Anywhere books are sold or Amazon

When
September 15, 2009

Dan Brown's New Thriller! The Lost Symbol released today

Dan Brown’s new novel, the eagerly awaited follow-up to his #1 international phenomenon, The Da Vinci Code, which was the bestselling hardcover adult novel of all time, will be available today (September 15, 2009).

The Lost Symbol will once again feature Dan Brown’s unforgettable protagonist, Robert Langdon.

“The Lost Symbol is a brilliant and compelling thriller. Dan Brown’s prodigious talent for storytelling, infused with history, codes and intrigue, is on full display in this new book. This is one of the most anticipated publications in recent history, and it was well worth the wait,” said Sonny Mehta, Chairman and Editor in Chief of the Knopf Doubleday Publishing Group.

The Lost Symbol Website and game: http://www.thelostsymbol.com/
The Lost Symbol on Twitter: http://twitter.com/LostSymbolBook
Download a PDF of the book cover now to see all the artwork details: http://www.danbrown.com/pdf/TLS_cover.pdf


Where
Anywhere books are sold or Amazon

When
September 15, 2009

Preview of Thirst and Q&A with Park Chan-wook (Old Boy) in London

Curzon Cinemas is delighted to welcome director and writer Park Chan-wook to discuss his latest film in this post screening Q&A.




A priest becomes a vampire… another man’s wife is coveted… a deadly seduction triggers murder. Sang-hyun (played by top Korean star Song Kang-ho, The Host) is a priest who cherishes life so much that he volunteers for a secret vaccine to eradicate a deadly virus. In the process however, he becomes infected by vampire blood and his faith is tested further when a childhood friend’s wife, Tae-ju (Kim Ok-vin), comes to him asking for help. Sang-hyun soon plunges into a world of sensual pleasures, finding himself on intimate terms with the Seven Deadly Sins. The new film from acclaimed director Park Chan-wook (Old Boy) was jointly awarded the Cannes 2009 Jury Prize.




Where
Curzon Soho
99 Shaftesbury Avenue, London, W1D 5DY

When
6:10pm, Monday 5 October, 2009

Preview of Thirst and Q&A with Park Chan-wook (Old Boy) in London

Curzon Cinemas is delighted to welcome director and writer Park Chan-wook to discuss his latest film in this post screening Q&A.



A priest becomes a vampire… another man’s wife is coveted… a deadly seduction triggers murder. Sang-hyun (played by top Korean star Song Kang-ho, The Host) is a priest who cherishes life so much that he volunteers for a secret vaccine to eradicate a deadly virus. In the process however, he becomes infected by vampire blood and his faith is tested further when a childhood friend’s wife, Tae-ju (Kim Ok-vin), comes to him asking for help. Sang-hyun soon plunges into a world of sensual pleasures, finding himself on intimate terms with the Seven Deadly Sins. The new film from acclaimed director Park Chan-wook (Old Boy) was jointly awarded the Cannes 2009 Jury Prize.




Where
Curzon Soho
99 Shaftesbury Avenue, London, W1D 5DY

When
6:10pm, Monday 5 October, 2009