Tuesday 28 September 2010

Buried Review Screenrush Film Club

So last night, I went off to see Rodrigo Cortés' Buried. It was the inaugural screening of the Screenrush Film Club launched to celebrate their redesign of Screenrush.co.uk.

The cinema was packed and there was and there was a buzz in there in anticipation of Buried. To kick of the screening the Screenrush team welcomed us and gave out some Swag to celebrate the event.

Screenrush Film Club: Screenrush team introducing Buried
Screenrush Film Club: Screenrush team introducing Buried by Craig Grobler , on Flickr

If you are unsure - Yes! I am a sucker for good film Swag and I have to say that the Screenrush Swag bag was pretty damn good.

Screenrush Film Club: Buried - Swag Bag
Screenrush Film Club: Buried - Swag Bag (Ogden Marsh T-Shirt - The Crazies, Fakin Cnut T-Shirt - 44 inche Chest, Where the Wild thingare Fan & Pencil, The Rebound Water Bottle, Sex & The City 2 goodies, I Love you Phillip Morris Gown & Walkman speakers and The Accidental Husband, Vera Drake & The Crazies on DVD) by Craig Grobler , on Flickr

But the highlight of the Swag was this:
Inception SpinnerInception Spinner
Inception Spinner by Craig Grobler , on Flickr
That’s right I know own an Inception Spinner. Sweet!

Anyway onto Buried. Previously I had heard that Buried was a great conceptual piece that basically consisted of Ryan Reynolds being stuck in a box. Interesting! Visions of the Larry Cohen written “phone” films: Joel Schumacher’s minor 2003 classic Phone Booth and Cellular starring & Kim Basinger and a little known Chris Evans were being conjured.

Then this August at Empire Magazine’s Moviecon I got to see the first 8 minutes of Buried and listen to Director Rodrigo Cortés talk about making Buried. My already growing interest was piqued when Cortés introduced the clip by saying something like “It’s about a man buried in a box, here are the first 8 minutes. There is nothing else to say” and shrugged.



Paul Conroy is not ready to die.

But when he wakes up six feet underground with no idea of who put him there or why, life for the truck driver and family man instantly becomes a hellish struggle for survival. Buried with only a cell phone and a lighter, his contact with the outside world and ability to piece together clues that could help him discover his location are maddeningly limited. Poor reception, a rapidly draining battery, and a dwindling oxygen supply become his worst enemies in a tightly confined race against time, fighting panic, despair and delirium, Paul has only ninety minutes to be rescued before his worst nightmare comes true.

I have to say even though Cortés’ first language is not English (he’s Spanish) he was one of the most engaging and entertaining speakers I have had the pleasure to listen to. His energy and passion at a high the entire time. Too be honest I would have paid more than the equivalent of a cinema ticket just to hear him talk. By the way the Curzon Soho is previewing Buried on Wed 29 Sep and Rodrigo Cortés will be answering questions after the screening. I highly recommend that if you can you pop along.

Cortés went on to acknowledge the craziness in making a film about a man in a box and then hoping it’s a success. And acutely aware that initially the cards were stacked against him. For full effect imagine all of this in a thick Spanish accent.

Although he has an interest in the subject matter he wasn’t particularly inspired to create a story about someone being buried (it was written by up and comer Chris Sparling) but he feels that being buried alive does tap into out primal fear.

He was quick to point out that although people thought Buried was going to be “experimental and obscure” he was aiming for more Hitchcock or in the best case “Indiana Jones in a box”.

Cortés went on to talk about the difficulties in making a film where the star is stuck in a confined space for the entire 17 day entire shoot. As you can imagine it wasn’t a whole lot of fun.

The best parts of the talk were when he went on to explain how Ryan Reynolds involved. Initially Reynolds thought it made no sense at all but read the script and thought that there is no way a film like this could be made. He went on to watch Cortés’ earlier The Contestant and wanted to know more. They met in LA and shook on making the film. ”I think it was because of my poor English, I think he misunderstood and he was too embarrassed to back out. When you have this accent people think you are sophisticated.”

Another highlight was when asked how you get a piece like Buried distributed?

I was expecting an underdog vs. the system tale but Cortés surprises again by explaining how ridiculously easy it was. They shot the film it premiered at Sundance and immediately studios were trying to outbid each other for the distribution rights- “within two months we sold it to 65% of the world.” Pure magic.

I guess a large part of whether you’ll enjoy Buried or not is whether you buy into Ryan Reynolds. I’m a fan although some of his recent efforts haven’t been great, during the late 90s (a bad time for stand out talent) Reynolds was one of the few glittering new acts on TV in "Two Guys, a Girl and a Pizza Place" to shine. The cracking dialogue played to his wise ass strengths. And pretty soon it was apparent that if Reynolds star did not ascend something was very wrong.



I say a guess a large part of whether you’ll enjoy Buried or not is whether you buy into Ryan Reynolds – because and I’m managing expectations here when I say most of the film is Ryan Reynolds in a box. There are no flashbacks, outside shots, traveling through telephone lines or sideways cuts.

Buried starts with a great Saul Bass like title sequence which sets the tense Hitchcock like tone for the film.

We wake up in the box/coffin with Paul Conroy (Ryan Reynolds) a Truck Driver contracting in Iraq and for the remaining 95 minutes live with him real time as his predicament unfolds. He has been buried 6 feet under the ground somewhere in Iraq by professional abductors. Don’t let the word professional fool you - they do this for the money but their victim’s well being is not a priority and they are brutally merciless.

He has his wits (which turn out to be his most useful tool), a lighter, a hip flask and a little later a mobile phone (with a diminishing battery life & poor reception) that becomes his link with the outside world, however this is not some cooked up film world where the cavalry comes charging when asked, this is the “sorry, you have reached the wrong department let me put you on hold while we put you through” world. Try to imagine trying to get some coherent sense from your bank or an automated voice system over the phone and you are close to the hell that is unleashed upon Paul and from here it only gets worse for him.

A standout scene for me was when Paul Conroy has to reach something at his feet I think it was the mobile phone and we watch as he goes through a herculean effort to reach the item. This typifies the film for me; Paul’s will pushed to the limit by a seemingly simple task.

I guess this all comes down to two questions:

1. Can Ryan Reynolds single handedly hold a film together for 95 minutes?
Yes. The increasing frustration of his character permeates through his limited movements and voice - at every step of the way as he slowly descends to desperation. Reynolds is good enough to ensure that empathy is maintained for Paul. It’s also worth noting that as well as both the helpful and antagonist voices on the telephone, the psychical space has an oppressive character of its own to play off.

2. Is Buried well enough made to make sense?
Yes. Tense and gripping Buried had me engaged throughout. Cortes has alluded to it being similar to a technical challenge that the Hitchcock would have set up for himself. With Cortés fulfilling both directorial and editing duties the film comes and stays together cohesively, although I did feel myself meandering in thought around the ¾s mark but there is more than enough richness in atmosphere to make the film worthwhile.

In hindsight there are some bits that seem to be added to extend or heighten the tension and looking back there were bits that were supposed to build to a punch that may have been lost in the overall stuck in a box situation.

If you are the type person who would pay to see a film about a man stuck in box, you won’t be disappointed. With a few props and lots of creativity the Buried teams have made a pretty good film.

Buried will be in UK cinemas from the 1 October, 2010

Director: Rodrigo Cortés
Starring: Ryan Reynolds, José Luis García Pérez, Robert Paterson, Stephen Tobolowsky, Samantha Mathis

Saturday 25 September 2010

20th Century Fox 75th Anniversary Exhibition

I love the London Film Museum, not only are they the home for props, memorabilia and costumes from some of my favourite films ever (Bond, Excalibur, Aliens, Batman, Superman, Star Wars and currently a Ray Harryhausen Exhibition as well as many, many, many more) but some of my best recent film related memories are attributed directly to them (Star Wars Exhibition, celebrating Mr. Ray Harryhausen’s 90th Birthday, Meeting Bond alumni; George Lazenby, Maude Adams & Britt Eckland and separately meeting Herbert Lom & Burt Kwouk (responsible for some of the funniest moments on the silver screen from my childhood), as well as shooting the breeze with Terry (still not a Sir yet) Gilliam, Sir Peter Jackson and John Landis). And that’s just the stuff off the top of my head.

London Film Museum: John Landis & (still not a Sir yet) Terry Gilliam enjoying Harryhausen's Mythys and Legends Exhibition launch and Birthday
London Film Museum: John Landis & (still not a Sir yet) Terry Gilliam enjoying Harryhausen's Myths and Legends Exhibition launch and Birthday by Craig Grobler

I keep meaning to post more about the London Film Museum and my adventures there but invariably get bogged down by some other time consuming task, the best I have done so far is manage to get some pictures up on Flickr here.

The London Film Museum is like the spiritual home of all things film in the UK. It’s an immersive experience like nothing else. Visiting the studios that make motion pictures is a great but they are operating businesses so very often the bits that would lift these experiences - like visiting a film set are closed to the public and the tactile bits of film history like the relics, memorabilia or props are no longer stored site. So the London Film Museum really has a place as the home for this film history. Where else can you see Rexy from Night at the Museum.


Turn the corner view the Bat Suit while being watched by the Alien Queen and the Terminator?

London Film Museum: Christian Bale's Batman Bat Suit from Batman Begins
London Film Museum: Christian Bale's Batman Bat Suit from Batman Begins by Craig Grobler

The place is full of bits of film history and there is something for everyone.

At the moment they have exhibitions featuring pieces from the awe inspiring and must see Ray Harryhausen - Myths And Legends Exhibition (you can see pics of some of the extensive collection over here), a Zulu Exhibition, along with loads of film props you can see some recently discovered original storyboards (pics of some of the collection over here), an Excalibur Exhibition (they have a huge collection of pieces bits from John Boorman’s English classic, with loads of pieces from master armourer Terry English).

London Film Museum: Excalibur Exhibition
London Film Museum: Excalibur Exhibition by Craig Grobler, on Flickr

You can still catch the Charlie Chaplin – The Great Londoner exhibit a retrospective displaying pieces from Chaplin’s life and films.

London Film Museum: Charlie Chaplin – The Great Londoner-20th Century Fox 75th Anniversary Exhibition - Original Alien suit
London Film Museum: Charlie Chaplin – The Great Londoner by Craig Grobler, on Flickr & 20th Century Fox 75th Anniversary Exhibition - Original Alien suit by Craig Grobler, on Flickr

London Film Museum: 20th Century Fox 75th Anniversary Exhibition
London Film Museum: 20th Century Fox 75th Anniversary Exhibition by Craig Grobler, on Flickr

To commemorate the 75th Anniversary of Twentieth Century Fox the London Film Museum are exhibiting some pieces from Fox’s most loved films. The exhibit includes exclusive prints from the Fox archives and unique props from classic Fox releases including Alien and Star Wars as well as a small display of outfits from some legendary recent Fox films.

Costumes displayed include:

London Film Museum: 20th Century Fox 75th Anniversary Exhibition
20th Century Fox 75th Anniversary Exhibition - Costume Display by Craig Grobler, on Flickr

Larry Daley’s (Ben Stiller) night guard outfit from Night at the Museum an excellent accompaniment to seeing Rexy (the Museum’s Tyrannosaurus Rex) right next to it.

Rexy is also doubling as a Dragon to add to the ambiance of the Eragon outfits. Within his “enclosure” there are two Eragon outfits on display Eragon’s (Ed Speleers) leather and scales armour and Elf warrior Arya’s (Sienna Guillory) tan armour. I’m unsure if she actually wears the lacy skirt with the boots and bodice together in the film.

20th Century Fox 75th Anniversary Exhibition - Costume Display
20th Century Fox 75th Anniversary Exhibition - Costume Display by Craig Grobler, on Flickr

The memorable and intricate cheongsam inspired dress that Lady Sarah Ashley (Nicole Kidman) wears to the Ball in Australia is the most beautiful piece on display.

Next to it you can see a Can-Can Dancer outfit from Baz Luhrmann’s Moulin Rouge. My understanding is that it is currently unknown who wore this glam outfit in the film.

20th Century Fox 75th Anniversary Exhibition - Wolverine's X-Men suit-20th Century Fox 75th Anniversary Exhibition - Sue Storm's Fantastic Four suit
20th Century Fox 75th Anniversary Exhibition - Wolverine's X-Men suit by Craig Grobler, on Flickr & 20th Century Fox 75th Anniversary Exhibition - Sue Storm's Fantastic Four suit by Craig Grobler, on Flickr

The feral Wolverine or Logan’s (Hugh Jackman) leather X-Men suit. Which is very different from the original yellow outfit, wryly alluded to by Logan in the X-Men film. There is still a nod to the comic's original costume with the "claw" design on the shoulders and sides.

Sue Storm’s (Invisible Girl) Fantastic Four suit worn by Jessica Alba in Fox’s Fantastic Four.

20th Century Fox 75th Anniversary Exhibition - Tom Cruise's Precrime jumpsuit from Minority Report-20th Century Fox 75th Anniversary Exhibition - Tyler Durden's Fight Club outfit
20th Century Fox 75th Anniversary Exhibition - Tom Cruise's Precrime jumpsuit from Minority Report by Craig Grobler, on Flickr & 20th Century Fox 75th Anniversary Exhibition - Tyler Durden's Fight Club outfit by Craig Grobler, on Flickr


Chief John Anderton’s (Tom Cruise) Precrime Security jump suit worn by Tom Cruise in Steven Spielberg’s Minority Report.

The highlight and biggest disappointment for me was the outfit that Tyler Durden (Brad Pitt) wore in Fight Club. It was great to see it but somehow the charity shop leather jacket and polyester trousers outfit lacks the lustre and edgy coolness when not animated by Tyler Durden. But I still love the early 80s motor cross t-shirt.

You can also see Capt. Jack Aubrey’s sea faring outfit worn by Russel Crowe in Peter Weir’s Master and Commander: The Far Side of the World.

Along with these outfits the London Film Museum has 100s of others that can also be viewed as well as some special pieces for the Fox 75th Anniversary Exhibition.

20th Century Fox 75th Anniversary Exhibition - Obi Wan Kenobi's Lightsabre by Craig Grobler, on Flickr & 20th Century Fox 75th Anniversary Exhibition - Original Alien suit by Craig Grobler, on Flickr

Above, the original Alien suit from Sir Ridley Scott’s sci-fi classic Alien and Obi Wan Kenobi’s Lightsaber from a Star Wars collection.

It’s already been extended once but the Fox display will be finishing its run at the end of September - so there are only a couple more weeks to get up close to these outfits from Fox classics.

20th Century Fox 75th Anniversary Exhibition

Where:

The London Film Museum, 1st Floor, Riverside Building, County Hall, London SE1 7PB

When:
Till the end of September 2010

More info:

Over at the London Film Museum website

Wednesday 15 September 2010

Mike Figgis - Film + Music Festival

Trumpeter/film director/composer Figgis continues his esoteric program of live music at Kings Place over this week. Expect guest appearances, multimedia presentations, film and music.


Wednesday 15 September
Sound, Music and Film
Film director Mike Figgis is fascinated by the powerful psychological effect of film scores on the drama. Tonight he demonstrates his ideas with a live mix of his film ‘Timecode’, changing the score and the mix to illustrate the amazing potential of the music.

Thursday 16 September
The Mike Figgis Theatre Group
Three multi media performances written by Mike Figgis. Each combines film with live performance and live music.

Redheugh, 1980
'The Airfield at Tangmere'; 'At Mrs Dyson’s'; 'Die Welle'; 'Ist er Das?'

Slow Fade (aka The House C4), 1982
'Opium'; 'Sexual Love'; 'Riga'; 'Slow Fades the Light'

Animals of the City, 1983
'This Hotel Room'; 'On Ellis Island'; 'I Have No Shadow'; 'Story of a Tragic Love'


Friday 17 September
Past, Present and Future: Rosey Chan and Friends
Rosey Chan on pianowith guests, including Mike Figgis
A haunting performance, featuring classically-trained pianist/performance artist Chan and Lebanese singer Hamden. Combining video projections that show Chan as both a girl and a 90-year-old woman, this will be a mesmerising audiovisual mix traversing jazz and classical sounds.

Saturday 18 September
The People Band
An evening with a difference. Performers from the 40-strong People Band will give a live concert in Kings Place Hall Two.

"My first exposure to free jazz came about through hearing and then performing with the People Band. This was in the early 70's. I have continued to play with the People Band since that time. The band is a loose collective but all of the original members still participate whilst still following a multitude of other interests (like myself). The band recorded (in the late 60's) an album that has recently been re-issued, produced by Charlie Watts of the Rolling Stones." Mike Figgis

Mike Figgis - Film + Music Festival

Where:
Kings Place, 90 York Way, London, N1 9AG

When:
Monday 13th September 2010 - Sunday 19th September 2010

More info:
Over at the King's Place website

Friday 10 September 2010

Ross Cairns's The Answer music video for UNKLE

The second video for UNKLE's 'The Answer', directed by Ross Cairns features footage from the Relentless ‘Lives of The Artists’ documentaries. The highly anticipated new installment, ‘Lives Of The Artists: Follow Me Down’ features James Lavelle and legendary backcountry snowboarders, Jeremy Jones and Xavier De La Rue.

Friday 3 September 2010

See: The Bunker of the Last Gunshots

Jean-Pierre Jeunet and Marc Caro's first live action film was , a 25 minute film about soldiers in a bleak futuristic world called Le bunker de la dernière rafale or The Bunker of the Last Gunshots (1981).

LE BUNKER from kapelaans on Vimeo.


LE BUNKER from kapelaans on Vimeo. Le bunker de la dernière rafale (1981)


Director: Marc Caro & Jean-Pierre Jeunet
Starring:
Jean Marie De Busscher, Marc Caro, Patrice Succi, Gilles Adrien, Spot
France 2009, 86 mins, French with English subtitles

See: Jean-Pierre Jeunet and Marc Caro's The Bunker of the Last Gunshots