Friday, 7 May 2010

London Recut Filmmaking Competition

What is it about London that makes it so special? Why do so many of us call it home? Beyond trademark red buses and the great River Thames, there’s a London that bustles, busies and buzzes – and we’re part of it.

So why not add your voice to the great story of London?

London Recut is an exciting new film initiative and competition open to everyone. Click here and you can explore moving image archive material from the BFI, the London Transport Museum, the Imperial War Museum, London Metropolitan Archives and maybe even from your local borough!

You can then edit the material together – and even add material from your computer’s webcam and microphone – using E-Seq, a user-friendly online editing tool, to produce your own short film responding to life in London today.

Submit it to the London Recut Competition, where you could win the chance to edit your film professionally and see it on the big screen – at Rushes Soho Shorts Film Festival – and as part of a special touring programme throughout the London region. You could also win a spanking new Flip camera!

London Recut Filmmaking Competition

Where
:
More information over on the London Recut website: http://www.londonrecut.co.uk/

Deadline:
Midnight, Sun 6 June, 2010

Thursday, 6 May 2010

Leslie Nielsen in Conversation at the BFI

The BFI welcome the king of the parody film to the BFI Southbank stage.

He's been referred to as the 'Laurence Olivier of spoofs', with his deadpan delivery and seeming obliviousness to situations rife with slapstick potential.

After a long and rich career in film and TV (taking in Harlow, The Poseidon Adventure and Forbidden Planet), Leslie Nielsen is arguably best known for his later comedy roles, which also include his monumentally inept Lt Frank Drebin in the Naked Gun series. The BFI are very pleased to welcome the king of the parody film to the BFI Southbank stage.





Leslie Nielsen in Conversation at the BFI

Where
BFI Southbank
Belvedere Road, London, England SE1 8XT

When
8:20pm, Mon 10 May , 2010

More info & tickets over at the BFI


Sunday, 2 May 2010

SCI-FI-LONDON 9 - Day 1: Arthur C Clarke Award

Sadly, until a couple of years ago I was unaware of the Arthur C Clarke Award, which means there is a probability that you may not have heard of it. Some preamble:


The Arthur C Clarke Award is the most prestigious award for Science Fiction in Britain, presented annually for the best Science Fiction novel published the previous year. The award was established with a grant from Science Fiction master Arthur C. Clarke and has been running since 1987.


A panel of judges shortlist a number of books and a single winner is chosen. The 2010 Judges panel consisted of representatives from the British Science Fiction Association (Chris Hill and Jon Courtenay Grimwood), the Science Fiction Foundation (Francis Spufford and Rhiannon Lassiter) and a SF Crowsnest (Paul Skevington).


The winning prize is a commemorative engraved bookend a cheque for a number of pounds sterling equal to the current year (£2010 for year 2010) at a special award ceremony traditionally held on the opening evening of the SCI-FI-LONDON film festival.


This year’s forty-one eligible submissions were whittled down to 6 books short-listed:


Spirit by Gwyneth
Bibi (it means princess) is the sole survivor of a massacre. Lady Nef, the General's wife, stops the General taking her as a concubine, winning Bibi's eternal and passionate devotion. Years later, a diplomatic mission to a supposedly friendly planet ends in disaster. Bibi, now a junior officer in Lady Nef's household, is incarcerated with her mistress in the notorious high-security prison on Fenmu. Lady Nef, 150 years old when arrested, dies in prison; she bequeaths to Bibi her rank, her level of access to the AI systems that permeate the Diaspora of inhabited planets, and a highly secret set of 4-space co-ordinates. Bibi uses Lady Nef's death to escape from Fenmu, finds Spirit, an instantaneous-transit space pod, and follows Lady Nef's co-ordinates to a treasure beyond price: a virgin, perfect, uninhabited planet. Soon after this, the mysterious, fantastically wealthy Princess of Bois Dormant makes her debut in the high society of Speranza, the Diaspora's capital city. Thus disguised, Bibi sets out to discover why she and her mistress were condemned to a living hell; and to punish the guilty. Twenty years have passed: Lady Nef's enemies now rule Speranza. As she uncovers a forgotten, ruthless and far-reaching conspiracy, Bibi's vengeance is transformed into a project of world-changing reparation.


Yellow Blue Tibia by Adam Roberts
Russia, 1946, the Nazis recently defeated. Stalin gathers half a
dozen of the top Soviet science
fiction authors in a dacha in the countryside somewhere. Convinced that the defeat of America is only a few years away, and equally convinced that the Soviet Union needs a massive external threat to hold it together, to give it purpose and direction, he tells the writers: 'I want you to concoct a story about aliens poised to invade earth ... I want it to be massively detailed, and completely believable. If you need props and evidence to back it up, then we can create them. But when America is defeated, your story must be so convincing that the whole population of Soviet Russia believes in it--the population of the whole world!' The little group of writers gets down to the task and spends months working on it. But then new orders come from Moscow: they are told to drop the project; Stalin has changed his mind; forget everything about it. So they do. They get on with their lives in their various ways; some of them survive the remainder of Stalin's rule, the changes of the 50s and 60s. And then, in the aftermath of Chernobyl, the survivors gather again, because something strange has started to happen. The story they invented in 1946 is starting to come true ... A typically mind-blowing SF novel from one of the genre's literary stars.


The City & The City by previous two time winner of the Arthur C Clarke Award China Miéville
The body of a murdered woman is discovered in the remarkable, crumbling European city of Besźel. Such a crime is par for the course for Inspector Tyador Borlú, who is the premier talent of the Extreme Crime Squad – until his investigations uncover evidence that bizarre and terrifying forces are at work – and soon both he and those around him will be in considerable peril. He must undertake an odyssey, a journey across borders both physical and psychical, to the city which is both a complement and rival to his own, that of Ul Qoma.
















Galileo's Dream by Kim Stanley Robinson
The dazzling new novel from the acclaimed author of the groundbreaking MARS trilogy follows Galileo on an amazing journey from the dawn of the modern world to a future on the verge of a completely new scientific breakthrough. Late Renaissance Italy abounds in alchemy and Aristotle, yet it trembles on the brink of the modern world. Galileo's new telescope encapsulates all the contradictions of this emerging reality. Then one night a stranger presents a different type of telescope for Galileo to peer through, enabling him to see the world of humans three thousand years hence. Galileo will soon find himself straddling two worlds, the medieval and the modern. By day his life unfurls in early seventeenth century Italy; by night he is transported through dimensions of time and space no other man of his time could possibly comprehend. Inexorably, Galileo faces trial for religious crimes in his own time, while in the new world he discovers, where science assures men that they can perform wonders, but does not tell them what wonders to perform, he is revered. This sumptuous, gloriously thought-provoking and suspenseful novel recalls Robinson's magnificent Mars books as well as bringing to us Galileo as we have always wanted to know him.


Far North by Marcel Theroux
Every day I buckle on my guns and go out to patrol this dingy city. Out on the far northern border of a failed state, Makepeace patrols the ruins of a dying city and tries to keep its unruly inhabitants in check. Into this cold, isolated world comes evidence that life is flourishing elsewhere — a refugee from the vast emptiness of forest, whose existence inspires Makepeace to take to the road to reconnect with human society. What Makepeace finds is a world unravelling, stockaded villages enforcing a rough and uncertain justice, mysterious slave camps labouring to harness the little understood technologies of a vanished civilization. But Makepeace’s journey also leads to unexpected human contact, tenderness, and the dark secrets behind this frozen world. FAR NORTH leads the reader on a quest through an unforgettable arctic landscape, from humanity’s origins to its likely end. Bleak, haunting, spare — and yet ultimately hopeful, the novel is suffused with an ecstatic awareness of the world’s fragility and beauty, and its unexpected ability to recover from our worst trespasses.






Retribution Falls by Chris Wooding
Frey is the captain of the Ketty Jay, leader of a small and highly dysfunctional band of layabouts.
An inveterate womaniser and rogue, he and his gang make a living on the wrong side of the law, avoiding the heavily armed flying frigates of the Coalition Navy. With their trio of ragged fighter craft, they run contraband, rob airships and generally make a nuisance of themselves. So a hot tip on a cargo freighter loaded with valuables seems like a great prospect for an easy heist and a fast buck. Until the heist goes wrong, and the freighter explodes. Suddenly Frey isn't just a nuisance anymore - he's public enemy number one, with the Coalition Navy on his tail and contractors hired to take him down. But Frey knows something they don't. That freighter was rigged to blow, and Frey has been framed to take the fall. If he wants to prove it, he's going to have to catch the real culprit. He must face liars and lovers, dogfights and gunfights, Dukes and daemons. It's going to take all his criminal talents to prove he's not the criminal they think he is ..






From the Arthur C Clarke Award web site:"This year’s six shortlisted titles were selected from a long list of forty-one eligible submissions put forward by seventeen different publishing houses and imprints. A full list of this year’s eligible submissions was released via the popular Torque Control Blog earlier this month."

Which brings us to last Wednesday and the opening evening of the SCI-FI-LONDON 9 Film Festival, the opening reception of which is blogged here.

The call for the Award ceremony to begin the and as the well dressed crowd made its way to one of the screening rooms at the Apollo Piccadilly Cinema there was a genuine air of anticipation as the UK Sci-Fi literary year culminated in this night.

Seats were taken by the crowd made up of publishers, authors, members of the science fiction community and special guests and again the room filled up quickly.

Festival Founder and Director Louis Savy took the podium for what I think was his first formal talk of this years SCI-FI-LONDON festival. With typical aplomb and showmanship Louis thanked guests for coming along and officially opened SCI-FI-LONDON 9 as well as kicked off the ARTHUR C CLARKE AWARD ceremony to the sound of the crowds eager clapping (& a couple of hoots).



Next up to the podium was Arthur C Clarke Award Administrator Tom Hunter introducing the Arthur C Clarke Award evening without the aid of notes. Hunter was in fine form and very entertaining. He also delivered a touching remembrance to Arthur C Clarke.


Hunter was followed up to the Podium by his “straight man” and Chair of the Judges Paul Billinger who gave a really quick synopsis (and great primer) of the six shortlisted books (which can be seen in the clip below) finally SFX Magazine editor Dave Bradley took to the podium to announce the winner of this year’s Arthur C Clarke Award. If you are a film fan watch the video of the winner announcement below till the end for a special treat.


Below, the Arthur C Clarke Award 2010 winner China Miéville introduces his winning book The City & The City.


And here is a video from the Arthur C Clarke Award website of China Miéville’s (three time winner of the Arthur C Clarke Award) acceptance speech.



Clearly a crowd favourite Miéville made his way back to his seat to ongoing cheers. Immediately after and for the rest of the evening Miéville was mobbed and deservedly the focus of attention for everyone.












At this point half the crowd left the Apollo Piccadilly to head off to the SFX Magazine after party, allowing a fresh influx for the final part of the evening, the first London screening of Vincenzo Natali's Splice.

SCI-FI-LONDON 9 - Day 1: Arthur C Clarke Award

Where
Apollo Piccadilly Circus
19 Regent Street, London, SW1Y 4LR


When
Weds 28 April - Mon 3 May, 2010

More info at SCI-FI-LONDON or get tickets at 0871 220 6000 or directly through the Apollo Cinemas Website

Friday, 30 April 2010

SCI-FI-LONDON 9 - Day 1: The Opening Reception

SCI-FI-LONDON 9This post is late and delaying me! It should have been up yesterday but because of the sheer awesomeness of SC-FI-LONDON 9's opening evening at the Apollo Piccadilly it has taken me a little while to recover as well as to make my way through the immense volume of photos & video taken on the night. The upside to this is that I have been able to select, edit and give the media from the evening the respect it deserves for what turned out to be a once in a lifetime event.

The downside is that I could not attend Day Two of SCI-FI-LONDON 9 and Day 3 is looking a little shaky as I write this a couple of hours before 8th Wonderland is screened to kick off SCI-FI-LONDON 9 Day 3.

Rather than as single long winded post I have split the events from the Opening Evening of SCI-FI-LONDON 9 into 3 bite size posts; The Opening Reception, The Arthur C Clarke Award Ceremony and finally my take on the first London screening of Vincenzo Natali's Splice.

If you are not a regular reader of my blog or do not know what SCI-FI-LONDON is - here is a quick primer from Wiki:
“SCI-FI-LONDON was originally designed to be a festival that “takes a serious look at sci-fi and fantasy, bringing new, classic and rare movies from around the world to the UK”, SCI-FI-LONDON (SFL) screens world and UK Premieres, seminal cult classics, as well as documentaries, debates and talk.”
SCI-FI-LONDON once the underground & secret domain of Sci-Fi fans is now the premiere calendar event for Science Fiction and fantastic film in the UK. Now in its 9th year and showing only signs of getting bigger and better year on year. This year's Opening Night was Gala by anyone's standards and I was lucky enough to be amongst the few that attended. The itinerary for the evening was:

6:30PM - Informal Drinks Reception
7:45PM - Arthur C Clarke Awards 2010
8:45PM - First official UK screening of Vincenzo Natali and Guillermo del Toro's Splice

I arrived a little early as I was hoping to soak up the atmosphere and take some pics before the Apollo Piccadilly got to full and typical film festival frenzy kicked in.






If you have ever been to a film festival you know what I’m talking about, if you haven't it’s something akin to controlled chaos!




The SCI-FI-LONDON team had done an admirable job of turning the Apollo into a Star Craft 2 zone. Blizzard one of the sponsors was launching Star Craft II and had supplied some great memorabilia and promo material including some Beta Keys for Star Craft 2 & a Star Craft playing zone. Sweet stuff! I’m not familiar with PC based Star Craft franchise as I dabble exclusively in Console gaming. But there was a real buzz about how good it was and the long 9 year wait for a sequel and the trailer screened a little later did wet my appetite

At this point the UK Garrison of Vader’s Fist the 501st Legion arrived and proceeded to invade SCI-FI-LONDON 9 accosting local Londonians causing a stir last experienced on Alderaan.



A staple at most SCI-FI-LONDON events the 501st Legion or Vader’s Fist are an all-volunteer organisation formed for the express purpose of bringing together costume enthusiasts under a collective identity within which to operate. Or rather they are an elite unit of clone troopers, and later stormtroopers, that came to symbolize the might of the Galactic Empire, the 501st Legion were the soldiers under the command of Darth Vader, Dark Lord of the Sith. Also known as "Vader's Fist," they continued to enforce order and Imperial rule well after the death of Vader.- From the official Star Wars Databank

To recognize the dedication and contributions of the 501st Legion, Lucasfilm has immortalized them by incorporating the name "501st Legion" into many official materials (books, games and toys).





Fortunately guests arriving for the Opening reception were spared. Surprisingly quickly the Apollo Piccadilly filled up and there was a real buzz in the air, not only was it the start of the SCI-FI-LONDON 9 Film Festival, the Arthur C Clarke Award winners announcement was moments away and the room was full with British Literati and notable guests from the Sci-Fi and Fantastic film world - showing their support for what has become the premiere event for Sci-Fi and Fantastic film in the UK.



Guests that I spotted and had the chance to chat with included; Directing Legends Joe Dante (about to release The Hole 3D and Thirst a vampire flick, not be confused with Chan-wook Park’s Thirst of the same name) and John Landis (currently finishing up post on Burke and Hare).












The son of a former Time Lord and Sci-Fi & Fantastic film legend in his own right Sean Pertwee (serendipitous, as SFL are hosting a special free screening of Invasion Earth 2150 AD on Sunday), fellow British Actor Craig Conway (currently Pertwee and Conway are in 4 upcoming features; Stand Well Back, The 4th Reich, Four and Devil's Playground).



Author China Miéville (nominated for a third Arthur C Clarke Award). Visual FX Legends Bill Pearson & Steve Begg and upcoming Director Mark Buchanan (check out his brilliant short The Search showing at SFL9 as well as online. I’ll also be interviewing Mark for theestablishingshot shortly).



I didn’t get a chance to chat or meet with Director/Writer Stuart Hazeldine (Exam currently out and in pre-production on Paradise Lost and Battle Chasers) or The Lone Gun Men Dean Haglund (who’s performing his stand up routine: Geek Night Out at SFL9 this evening) as well as many others that I did not recognise or I was too slow to spot.

I did notice that this year there was no DJ at the reception as with previous years and at the Life in 2050 exhibit opening earlier in the week. But the buzz seemed to get louder as guests chatted, propped the bar up and sampled the delicious floating canapés.




As is customary Festival Founder and Director Louis Savy was sporting his huge smile as he teleported between greeting guests and ensuring the smooth running of Opening night by the SCI-FI-LONDON team. Hats off to the SCI-FI-LONDON Volunteers as they did a brilliant and seamless job, with every thing running seemingly smoothly apart from a couple of expected and entertaining late starts. Louis is king of "the stall" and they usually end with the audience receiving a handful of goodies.

It’s worth noting that although there were notable guest at the opening Louis’s very down to earth stance is that SCI-FI-LONDON is about showing good films that happen to be Science Fiction and was recently quoted in the New York Times as saying “We have a few stormtroopers on hand to run security, but we are not a ‘Con’ or fan event in that way. We are a film festival first.”




What an absolutely epic Opening party and great start to SCI-FI-LONDON 9. Over and above and above any expectations I had. If the rest of the festival is half as good as the opening night this is going to be a difficult year to top.

SCI-FI-LONDON 9 - Day 1: The Opening Reception

Where
Apollo Piccadilly Circus
19 Regent Street, London, SW1Y 4LR


When
Weds 28 April - Mon 3 May, 2010

More info at SCI-FI-LONDON or get tickets at 0871 220 6000 or directly through the Apollo Cinemas Website


Tuesday, 27 April 2010

Q&A with Andrzej Klimowski - Sci-Fi-London 9

Andrzej Klimowski Each year SCI-FI-LONDON looks at a different country and explores its contribution to the science fiction genre. This year focus is given to the Cinema of Poland and they are screening science fiction from Poland with a specific focus on Stanislaw Lem. They are also hosting a Q&A session with the graphic novelist and film poster designer, Andrzej Klimowski.

If you don't know much about Andrzej Klimowski this is your chance to get up close and in the mind of a true visual legend.

Klimowski was born of Polish parents in London in 1949, he trained at the Saint Martin's School of Art before studying at the Academy of Fine Art and working professionally in Warsaw.

His east-European legacy deeply influences Klimowski's work. From the late 1970s to the near present he has designed film and theatre posters, directed short animated films in Warsaw and designed covers and book jackets - for novels by PG Wodehouse , Simon Louvish, Lionel Shriver, Milan Kundera and Kazuo Ishiguro, following his particular 'Polish School' of design.

Polish interpretations for their local audiences have become internationally sought after by fans of both film & art. With some Polish posters surpassing the original versions they have become a cult trend. Klimowski's posters have become highly praised and sought after.




His graphic novels The Depository and The Secret have been published by Faber, as was, Horace Dorlan, in 2007. Klimowski is the Professor of Illustration at the Royal College of Art, London.

The early twentieth century photo-collagists, Surrealism, Dada and Expressionism have obviously been an influence on part of Klimowski's work, but he has developed his own personal style with a combination of fantasy, anxiety, ambiguity and eroticism which keeps his works from becoming mere pastiches.



Q&A with Andrzej Klimowski - Sci-Fi-London 9

Where
Apollo Apollo Piccadilly Circus
19 Regent Street, London, SW1Y 4LR


When
6:30pm, Thurs 29 Apr, 2010

More info at SCI-FI-LONDON or get tickets at 0871 220 6000 or directly through the Apollo Cinemas Website


Erasing David : UK Premiere & QA

Erasing David : UK PremiereDavid Bond lives in one of the most intrusive surveillance states in the world. He decides to find out how much private companies and the government know about him by putting himself under surveillance and attempting to disappear – a decision that changes his life forever. Leaving his pregnant wife and young child behind, he is tracked across the database state on a chilling journey that forces him to contemplate the meaning of privacy – and the loss of it.

Erasing David trailer from Green Lions on Vimeo.

Once the bastion of freedom and civil liberties, the UK is now one of the most advanced surveillance societies in the world – ranked third after Russia and China. The average UK adult is now registered on over 700 databases and is caught daily on one of the 4 million CCTV cameras located on nearly every street corner in the country. Increasingly monitored, citizens are being turned into suspects. But if you’ve got nothing to hide, surely there’s nothing to fear?

When David receives a letter informing him that his daughter Ivy is among 25 million residents whose details have been lost by the government’s Child Benefit Office, he begins a journey that will see him hounded across Europe.

David soon discovers some alarming truths about what the government and private companies already know about ordinary citizens. He meets people who have been caught in the crossfire of the database state and have had their lives shattered.

As his concern grows, he makes a life-changing decision. He will leave his pregnant wife and child behind and put himself under surveillance for thirty days. The UK’s top Private Investigators are hired to discover everything they can about him and his family – and track David down as he attempts to vanish. Is it still possible to live a private, anonymous life in the UK? Or do the state and private companies already know too much about ordinary people?

Erasing David : UK PremiereErasing David is playing in cinemas from the 29th April. The 29th April is the big premiere evening – after the film there will be a live Q&A from the Brixton Ritzy that will get beamed to their other screens. Taking part in the debate are David Davis, Shami Chakrabarti, Michael Nyman, Will Self and David Bond, the director. Venues include:

Aberdeen – The Belmont Picturehouse

Bath – Little Theatre Cinema

Brighton – Duke Of Yorks Picturehouse

Cambridge – Arts Picturehouse

Edinburgh – The Cameo Cinema

Exeter – Exeter Picturehouse

Henley-On-Thames – Regal Picturehouse

Lancaster – The Dukes

Liverpool – Picturehouse at FACT

London – Brixton Ritzy – SOLD OUT PLEASE TRY ELSEWHERE

London - Islington Screen on The Green

London – The Lexi Kensal Rise

London - Greenwich Picturehouse

London – Stratford East Picturehouse

London – The Gate Notting Hill

Newcastle – Tyneside Cinema

Norwich – Cinema City

Oxford – The Phoenix

Prestatyn – The Scala

Southampton – Harbour Lights Picturehouse

Stamford – Stamford Arts Centre

Straford-upon-Avon – Stratford Picturehouse

Winchester - Screen at Winchester

York – City Screen York

Following on from the launch event Erasing David will take a tour around other cinemas, including:

May

8-9th Newbury Corn Exchange

24-27th Dundee Contemporary Arts



Erasing David : UK Premiere

More info over at: http://erasingdavid.com/