Given the increase and number of various Immersive Cinematic events to choose from I would be surprised if you haven’t participated - or at least aware of the uprising of events popping up in London (as well as the rest of the UK).
They are the cinematic equivalent of Tyler Durden’s
Fight Clubs, the secret gigs of the 2000s and the warehouse parties of the 80s - they pop up, create an immersive experience and fade back into the night.
For years - in the hopes of offering a deeper, more compelling experience to keep audiences engaged and interested - there has been much talk of how audiences can be engaged beyond the passive viewing experience with immersive cinema.
With the continued dissatisfaction in traditional cinema, many of us are seeking out more niche experiences, not only more in line with our general social seeking behaviour but experiences that embody the same care and attention, showing a film that filmmakers put into a making a film (and which we view the film with.)
Their have been various attempts at this, the most enduring (and successful) of these being
Surround sound,
3D and more recently
IMAX. However there have been many other attempts including;
Smell-o-vision (odours released to coincide with on-screen events) and its scratch-n-sniff offshoot
Odorama (successfully employed last year at the ICA for a screening of Peter Greenway’s
The Cook, The Thief, His Wife and Her Lover),
Percepto! (small electric buzzers attached to chairs),
Illusion-O (coloured glasses reveal ghosts),
Sensurround (incredibly loud rumbling bass output),
Cinerama (curved 146 degree widescreens) as well as
4-D (3D combined with physical interaction like moving/vibrating chairs) mostly used in theme parks. Who can forget
Feel-A-Round the parody technique demonstrated in
The Kentucky Fried Movie?
Jameson too have crossed that bridge merging film and immersive experience with their ongoing
Jameson Cult Film Club screenings held in unique and distinct locations, combined with performance art and props. These screenings also offer a warm platform for film lovers to come together and watch some of their favourite films. For more about previous screening see my post about the
MOON screening
here! Although Jameson were not first, they certainly have consistently maintained the spirit of Cult, kept their screenings fresh, un-bloated, and on the button.
Some seem to be focussing on the “pop up” nature of these screenings as the heart of the event, rather missing the point that the bigger immersive experience is intrinsically tied into the ambient connection offered by the location of the screening.
As was the case when
Jameson Cult Film Club presented the classic
Taxi Driver at the Brewer Street public car park.
I had been to an event a little while ago at the same location so initially my thoughts were that they needed a space and this was it. However as I made my way through the streets of Soho things started to fall into place and the neon bathed wet backstreets of Soho were an inspired substitute for Travis Bickle’s sordid and grimy New York. This event started outside the actual screening. I’m unsure of how many people had assembled, but the queue was long, full of anticipation and well dressed urbanites.
Jameson Cult Film Club - Taxi Driver: In the seedy back streets of Soho people queue for the JCFC screening of Taxi Driver by Craig Grobler , on Flickr We crossed the police barrier and made our way up the sign posted stairwell,
through the concrete car park to be serenaded by the haunting Bernard Herrmann Main Title theme from
Taxi Driver emanating from a street musician’s Saxophone bathed by the green glow from lights above.
Jameson Cult Film Club - Taxi Driver: Street Musician greeting people on entry with Bernard Herrmann's great Taxi Driver Theme by Craig Grobler , on Flickr , Jameson Cult Film Club - Taxi Driver: Ladies of the night by Craig Grobler , on Flickr ,
Passing the musician on our way up the vertical slope to the next floor we were first handed some dollars by Usherettes to be used upstairs and then accosted by some ladies of the night. We were well and truly immersed in the sleazy world of Travis Bickle.
Arriving at the top and turning the corner, there it was – straight from the opening scene of
Taxi Driver like a shark, Travis Bickle’s cab comes gliding out of the steamy night.
Jameson Cult Film Club - Taxi Driver: Like a shark, the cab comes out of the steamy night by Craig Grobler , on Flickr , Jameson Cult Film Club - Taxi Driver: Homage to the opening scene of Taxi Driver by Craig Grobler , on Flickr , Jameson Cult Film Club - Taxi Driver: Inside Travis Bickle's cab by Craig Grobler , on Flickr ,
Jameson Cult Film Club - Taxi Driver: Travis Bickle's Taxi Cab by Craig Grobler, on Flickr
Then I first saw her She was wearing a white dress. She appeared like an angel. Out of the filthy mess, she is alone - Betsy handing out "We are the People" vote for Senator Palantine badges. Nice touch a little takeaway paraphernalia from the evening.
Jameson Cult Film Club - Taxi Driver: Betsy hands out vote for Palantine "We are the people" badges. by Craig Grobler, on Flickr
Behind Betsy a queue for New York style hot dogs and a cavernous room filled with not one but three screens to ensure non of the action was missed by the growing crowd, neon lights, Usherettes ensuring libation for all, revellers - Hustlers, Hookers and Pimps all trying to get those recently acquired dollars off us when not fighting with each other.
Jameson Cult Film Club - Taxi Driver: New York Style Hot Dogs by Craig Grobler, on Flickr, Jameson Cult Film Club - Taxi Driver: Betsy and the end of the Hot Dog queue by Craig Grobler, on Flickr
Jameson Cult Film Club - Taxi Driver: Pimps and hoes do getting on by Craig Grobler, on Flickr, Jameson Cult Film Club - Taxi Driver: Jameson usherettes ensure that drinks are topped up by Craig Grobler, on Flickr
Jameson Cult Film Club - Taxi Driver: Hustlers and Hoes rarely get on by Craig Grobler, on Flickr, Jameson Cult Film Club - Taxi Driver: Street Hustlers. by Craig Grobler, on Flickr
On the right behind the DJ booth a long stretch of bar serving up customary Jameson refreshments adding some class and respite from the grim “streets of New York”.
Jameson Cult Film Club - Taxi Driver DJ XXX by Craig Grobler, on Flickr, Jameson Cult Film Club - Taxi Driver: Precision Mixology by Craig Grobler, on Flickr
Jameson Cult Film Club - Taxi Driver: The New York Post headline Taxi Driver Battles Gangsters by Craig Grobler, on Flickr, Jameson Cult Film Club - Taxi Driver: Pre-screening refreshments by Craig Grobler, on Flickr
While nursing a Jameson Mule I headed past the Diner booths already filled with the more fleet of foot –
Jameson Cult Film Club - Taxi Driver: Pre-screening by Craig Grobler, on Flickr, Jameson Cult Film Club - Taxi Driver: Pre-screening refreshments by Craig Grobler, on Flickr
and to my surprise bumped into the rather brilliant
Riz Ahmed London Curator for the
Jameson Cult Film Club screening, (if you haven’t seen Chris Morris’ bittersweet yet hilarious
Four Lions yet. I strongly urge you to. You won’t regret it)
Jameson Cult Film Club - Taxi Driver: JCFC Curator Riz Ahmed & Jameson's team member. Travis Bickle lurking in the background by Craig Grobler, on Flickr
Stephen Graham will be curating a screening of
Dracula in Liverpool on October 28 and Matt Greenhalgh will be the Curator of a November screening of
Aliens in Manchester – more info and tickets for these screenings can be found on the
Jameson Cult Film Club website over
here!
I had a really short chat with
Riz Ahmed about what he had coming up next. He can currently be seen in a show stealing part in the Blu Ray/DVD release of
Neil Marshall's spectacular vengeful sword and sandals adventure
Centurion. Just before he had to rush off and introduce the screening of
Taxi Driver he had a chance to mention that he was working with
Plan B (
Ben Drew). I had assumed that he was involved with
Turnaround a new feature starring
Ben Drew, however he may have been referring to their collaboration on the
Party4Pakistan fundraiser for the Pakistan floods.
He also mentioned that he was starting production on a new film directed by no less than the great French auteur
Jean-Jacques Annaud and will be working with
Tahar Rahim.
OK! Hopefully by now you know that
A Prophet (which starred
Tahar Rahim) is one of my favourite films of all time. Holy Cow! (That’s an exclamation not the title of the film) turns out Riz is working on
Black Thirst with
Tahar Rahim,
Freida Pinto,
Mark Strong and possibly
Antonio Banderas. Under the eye of
Jean-Jacques Annaud and with a cast like that
Black Thirst is shaping up to be something of a cinematic treat
Shooting in Tunisia
Black Thirst is based on a 1957 novel by Hans Ruesch.
“Set in the 1930s Arab states at the dawn of the oil boom, the story centers on a young Arab prince torn between allegiance to his conservative father and
modern, liberal father-in-law.” – From IMDB
He had to shoot off to introduce
Taxi Driver so I didn’t get the chance to delve deeper into either projects. As
Riz Ahmed made his way backstage I spotted the man of the hour Travis Bickle. In fact when I noticed him I realised that he had actually been around the whole time lurking and watching. Although reluctant to stop for a photo I managed to get a couple of shots of him.
Jameson Cult Film Club - Taxi Driver: Travis Bickle How's your drivin' record? - It's real clean, like my conscience by Craig Grobler, on Flickr
Jameson Cult Film Club - Taxi Driver: Travis Bickle unhappy with the state of the nation by Craig Grobler, on Flickr, Jameson Cult Film Club - Taxi Driver: Travis Bickle surveying the streets. "King Kong Company 1968-70" by Craig Grobler, on Flickr The PA system let us know that the screening would be starting shortly and we should take our seats. Everyone started making their way to their seats for
Taxi Driver.
Jameson Cult Film Club - Taxi Driver: Jameson Cult Film Club Curator the brilliant Riz Ahmed introduces Taxi Driver by Craig Grobler, on Flickr
Jameson Cult Film Club - Taxi Driver: Jameson Cult Film Club Curator the brilliant Riz Ahmed introduces Taxi Driver by Craig Grobler, on Flickr, Jameson Cult Film Club - Taxi Driver: Travis Bickle puts his own twist on a film introduction by Craig Grobler, on Flickr
Riz Ahmed introduced
Taxi Driver as one of his favourite films and his love of anti hero
Travis Bickle. Next up
Travis Bickle (channeling Christopher Walken) spoke of the storm that was coming to clean the streets of all the scum.
After the screening Jameson treated all to an after party off note, allowing us to discuss just how brilliant Martin Scorsese’s
Taxi Driver is, what an inspired choice for a cult viewing it was, what an absolutely blinding and brilliant cast it has (
Robert De Niro, a 12 year old
Jodie Foster,
Harvey Keitel,
Cybill Shepherd,
Peter Boyle,
Albert Brooks, etc.),
Bernard Herrmann’s soulful score (one of his last), the larger social implications of vigilantism or just how bat shit crazy
Travis Bickle actually was, which Jameson screening has been the best so far and will Jameson be able to top this evening given that
Taxi Driver is the de facto king of Cult films? - Over a drink or two. As the bar filled and the DJ kicked off his playlist - filling the dance floor very quickly I made my way into the Fall Soho night.
I have to say I really enjoyed this screening; the performance art bits were pared down to the right balance of entertaining but not intrusive or distracting leaving the film to be the highlight of the evening. Hey Jameson how about a custom cocktail made to celebrate each film by a Mixologist of note? Just an idea.
For an insightful review of Taxi Driver by Dave Calhoun, TimeOut film editor head over to the Jameson Cult Film Blog
here!
Thanks Jameson for another great night : )
The
Jameson Cult Film Club continues with screenings of
Dracula in Liverpool on October 28th,
Aliens in Manchester in November (you lucky, lucky Mancurians) as well as their annual
CHILLS IN THE CHAPEL season which includes screenings of
Quatermass and the Pit (October 29),
The Amityville Horror (October 30) and ends on Halloween with some classic Hitchcock
Psycho (October 31) to be screened at Union Chapel in London.
Visit the Jameson Cult Film Club Box Office for more info and tickets.
Although it narrowly missed out on the Palme d’Or at the 2010 Cannes Film Festival, Mike Leigh’s ANOTHER YEAR is undoubtedly one of his finest films. It is a typically dry slice of British social-realist cinema with a host of richly formed characters and sharp dialogue from a seasoned cast on top form. - from www.picturehouses.co.uk
Director: Mike Leigh 
