Tuesday, 31 August 2010

Kick Ass opens the Russian Standard Vodka Film Festival

Russian Standard Vodka is delivering the very best in exclusive music and film experiences, with a night that takes Russian Standard Vodka Originals in a whole new direction.

On Tuesday 31st August, the Russian Standard Vodka Film Festival opens in real style as a guest-list-only audience enjoys the comic book hero film ‘Kick Ass’ – plus a Q&A session with creator, Mark Millar at the Everyman Cinema in London’s Belsize Park.





Dave Lizewski is an unnoticed high school student and comic book fan with a few friends and who lives alone with his father. His life is not very difficult and his personal trials not that overwhelming. However, one day he makes the simple decision to become a super-hero even though he has no powers or training. Written by Daniel J. Leary

Director: Matthew Vaughn
Starring:
Aaron Johnson, Christopher Mintz-Plasse, Mark Strong, Chloe Moretz, Nicholas Cage
UK/US 2010, 117 mins

Kick Ass opens the Russian Standard Vodka Film Festival


More info:
Over at the RSVOriginals website

Monday, 30 August 2010

QA Stephen Frears & Tamara Drew Public Premiere

BFI are proud to be hosting aQA session with accomplished UK Director Stephen Frears .


A journalist returns to her sleepy, postcard-pretty hometown in Dorset, kick-starting a rural rollercoaster of broken hearts and emotional highs in this light-hearted countryside comedy, adapted from Posy Simmonds’ graphic novel. Post nose-job Tamara (Arterton) goes out of her way to disrupt the status quo, stopping the locals in their tracks, even those who weren’t interested when she was younger. Great performances from an array of British talent, especially from Tamsin Greig as the wronged Beth Hardiment.

Director: Stephen Frears
Starring:
Gemma Arterton, Dominic Cooper, Roger Allam, Tamsin Greig
UK, 2010, 106 mins

QA Stephen Frears & Tamara Drew Public Premiere

Where:
BFI Southbank, Belvedere Road, London, SE1 8XT

When:
6:20pm, Mon 6 Sep, 2010

More info:
Over at the BFI website

Friday, 27 August 2010

UNKLE On Screen & QA James Lavelle & Alex Grazioli

As part of the 'Daydreaming with... James Lavelle' exhibition which takes place at Haunch of Venison over the August Bank Holiday weekend, the festival concludes with a special evening with James Lavelle at the Prince Charles cinema in Leicester Square - UNKLE On Screen, in association with shots.

The event will feature the screening of a selection of UNKLE music videos , including John Hillcoat –directed video for new single ‘The Answer’, and commercials scored by the band, as well as the feature film ‘Odyssey in Rome’, directed by Alex Grazioli and scored by UNKLE. Following the screenings, James Lavelle will be in conversation with Alex Grazioli. The conversation will be chaired by Danny Edwards, Editor of Shots magazine.

UNKLE On Screen & QA James Lavelle & Alex Grazioli

Where:
Prince Charles CinemaAddress, 7 Leicester Place, London, WC2H 7

When:
8:00pm, Tues 31 August, 2010

More info:

Over at the Prince Charles Cinema website

See: John Hillcoat's The Answer for UNKLE

Acclaimed film director John Hillcoat, whose last major motion picture feature was the critically heralded ‘The Road’, directs the first video for UNKLE's ‘The Answer’. His vision begins with Ray Winstone (The Departed, Sexy Beast, Cold Mountain) relaying a memory from years past.


Thursday, 26 August 2010

The Last Seven review and premiere

Let me start by saying I loved The Last Seven. I thought it was great little concept driven film. A fresh diamond in the rough amongst all the copy cat, gangster wannabe British independent films that “have a go” every year.

After reading some of the reviews for The Last Seven I would compare it to 2009s “Hush” another great little film you have probably never heard of. It’s not similar to Hush in terms of story or subject matter. Hush is a taut thriller that Hitchcock would have been proud of about:
“A young couple on a motorway journey are drawn into a game of cat and mouse with a truck driver following a near accident.” - IMDB
The Last Seven is about something entirely different. The similarities are; that it is a lot easier to overlook these small films because they’re local, don’t have big name stars attached to them or a Hollywood marketing engine behind them. Nevertheless they are both really really enjoyable films.


My other half serendipitously got us tickets to the Premiere so I was fortunate enough to see The Last Seven on the big screen and even though the transfer had some minor problems it was pretty spectacular on the big screen - particularly the eerie ghost town shots of an empty London. However I suspect when viewing The Last Seven on a smaller screen some of the effect may be lost.


I’ve read a couple of negative reviews trickling in for it and too be honest I just don’t get it. The Last Seven is not Inception but it’s a damn good try by first time Director Imran Naqvi at making a decent, clever and engaging film. It’s not entirely original but the sweeping shots of London and top class editing, decent referential script and the story of seven people trying to put together a mystery will keep you both engaged and on your toes.

London is dead silent. Into this silence walks seven disparate souls, thrown together purely by circumstance. They are desperately hoping to find the reason behind the situation and how they can escape it. But lurking in the darkness of this dead, silent metropolis something way beyond reason is on the move. And it knows that the prey, the last seven, are powerless to stop it.


In a not-too-distant future, the face of London has changed dramatically.

Stung by ineffectual politics, a rapidly expanding population and the ravages of climate change it can no longer take the strain and collapses in on itself. Down from 7 million, now only 7 individuals remain and together they must form a new society in the face of a desperate, unforgiving future.



I can be the harshest critic but could easily overlook any faults to be sucked into the referential, engaging and mysterious world of The Last Seven. I guess a big part of what I liked about The Last Seven was that I spent most of the film trying to figure out what was going on and I only pieced it together about 20 seconds before the end. That is good going for a film as I can’t recall the last time this has happened in a cinema (and I see a lot of films). See it before someone gives away crucial bits of the plot.

Stand out performances from Tamer Hassan (who owns most of the screen - in both size and presence), the gorgeous Daisy Head and increasingly more reliable Simon Phillips.

It may be that The Last Seven is actually for a fairly niche audience the Sci-Fi/Horror crowd even though it doesn’t fit wholly into either genre. I have to say I’m surprised that The Last Seven is being launched so close to FrightFest 2010 without being part of it. I can’t help think that this is exactly the audience that would appreciate it and premièring at a festival like FrightFest would have given it a leg up and reached its audience a lot sooner.

Director: Imran Naqvi
Starring: Tamer Hassan, Danny Dyer, Rita Ramnani, John Mawson, Daisy Head, Simon Phillips, Ronan Vibert, Sebastian Street

UK, 2010 2009, 84 mins

The Last Seven review and premiere

The Last Seven is being released by
Metrodome in select cinemas Fri 27 August and will be available on DVD from 30th August

More info:
Over at the The Last Seven website

Face the Funders - Finance your film in the UK

Non-Multiplex Cinema & Co-Production Factory present a new, open-ended series of panel and networking events.


The aim: to get independent film-makers to be confident, business-minded, informed and ready to meet their goals. Events to be held regularly, at quarterly intervals, to ensure that film-makers become increasingly familiar and at ease with their peers and counterparts in the UK film industry.

Face the Funders - finance your film in the UK
Panellists to include:

Maggie Ellis - Head of Production & Talent Development, Film London
Maggie is responsible for the production and talent development unit of Film London, vertically integrating all of the agency's commissioning of film and training through production. She has responsibility for managing the challenging and innovative micro-budget feature film fund, as well as FLAMIN (Film London Artists' Moving Image Network).

David Marlow - Producer & Consultant (SilverLight Media)
David has over thirty years experience in film & television and has developed, produced and secured finance for a wide range of productions. At panel he will focus on the UK Enterprise Investment Scheme (EIS) from the producer's point of view and will outline a viable model for funding mid-budget UK feature films under current tax and economic conditions.

Agnieszka Moody - Media Desk UK
Agnieszka is director of the MEDIA Desk UK, responsible for promoting the European funding programme, MEDIA 2007, in the UK as well as giving information and advice about it. She has helped over three hundred British companies secure EU funding for media projects. Her prior experience is in independent film production in the UK and abroad.

Phil Rymer - Media Lawyer & Executive Producer
Phil has over 17 years experience in both independent and studio production. Before establishing Rymer Media Law, he was General Manager and Director of Legal and Business Affairs for Mel Gibson's Icon Entertainment. Prior to this he successfully funded a slate of UK productions for Ruby Films, including The Other Boleyn Girl and Sylvia.

Karl Dye - Film Finance, Coutts Bank
Commercial Banker, Media Team:- film production finance against pre-sale cover (contract discounting) and other collateral; providing working capital against the value of intellectual property rights; understanding and working with available tax schemes; production account management.

Martin Carr - Producer (Formosa Films)
Martin has many years experience as a feature film & TV producer, having worked with some of the UK's best writing and directing talents, such as Geoff Thompson and Danny Boyle. Formosa Films' first feature 'CLUBBED' was funded with a combination of EIS, UK Film Tax Credit and regional finance. Followed this year by the film 'twenty8k', written by Paul Abbott.

Face the Funders - Finance your film in the UK

Where:
Deloitte Auditorium, 1st Floor, 2 New Street Square, London EC4A 3TR

When:

7:00 - 10:00pm, Thurs 9 Sep, 2010- intermission for drinks - networking before & after event

More info:
Over at the Non-Multiplex Cinema website

Wednesday, 25 August 2010

Chris Jones talks Guerilla Film Making

Chris Jones author of The Guerilla Film Maker's Pocketbook shares his experiences of making micro-budget features and shorts.

The Guerilla Film Makers Handbook series has sold over 100,000 copies around the world and taught thousands of emerging film makers the key skills needed to make their own great movies and launch a career. To celebrate the release of the latest book in the series, The Guerilla Film Maker’s Pocketbook, we are thrilled to welcome author and filmmaker Chris Jones to discuss his work and share his experiences of making micro-budget features and shorts. Chris will also be signing copies of the book in the Filmstore after the talk.

Chris Jones talks Guerilla Film Making

Where:
BFI Southbank,Belvedere Road, London, SE1 8XT

When:
6:00pm, Tues 2 Sep, 2010

More info:
Over at the BFI website

Tuesday, 24 August 2010

QA Duncan Jones & Moon Screening

The BFI are delighted to welcome Duncan Jones to the BFI Southbank stage to take part in a Q&A session after a screening of Moon.


Inspired by the epic, philosophical science fiction classics of the 70s and early 80s, such as Silent Running, Blade Runner, Alien and Outland, Moon is an assured debut feature from Jones, who has previously made an impact with work for advertising and music promo. In the near future, Sam Bell (Rockwell) is nearing the end of a three year contract and counting the days until his return to Earth. The lone occupant of a lunar mining base, Bell monitors the tractors that harvest the moon's surface for helium energy, but he is beginning to unravel mentally. Moon is a refreshingly philosophical and ultimately touching film in which Jones and writer Nathan Parker create an insightful character piece about memory and identity.




Director:
Duncan Jones
Starring:
Sam Rockwell, Kevin Spacey, Dominique McElligott
UK, 2009, 97 mins,

QA Duncan Jones & Moon Screening


Where:
BFI Southbank, Belvedere Road, London, SE1 8XT

When:
6:20pm, Tues 31 Aug, 2010

More info:

Over at the BFI website

Monday, 23 August 2010

Film4 FrightFest 2010

If you are still unfamiliar with FILM4 FRIGHTFEST it's time to come out from under that rock and embrace the UK's premiere fantasy and horror film festival.

Now in its eleventh year, each August thousands of genre fans gather together in the heart of London's West End at the prodigious Empire Cinema for five packed days of premieres, previews, personal appearances, signings and surprises.

FrightFest first hit the scene in August 2000 and right from the start the festival set out its stall with the World Premiere of Ed Gein and UK premieres of Scary Movie, Pitch Black and Audition. Then based at the world famous London grindhouse cinema The Prince Charles, the annual 4-day festival has grown to become, in the words of Time Out, “the premiere event of the year for horror fans”, in the process helping to launch the careers of directors Christopher Smith (Creep, Severance) and Simon Hunter (Mutant Chronicles) plus hosting many first UK screenings including Shaun of the Dead and Eli Roth’s Hostel.

We have been fortunate enought to attend events at Frightfest in previous years and will be going along this year which looks to be the biggest and best yet.

The schedule for this year's 5 day extravaganza is as follows:

FILM4 FRIGHTFEST 2010
Thursday 26th to Monday 30th August 2010.







MAIN EMPIRE SCREENDISCOVERY SCREEN
Thursday 26th August
6.30 - HATCHET II
9.15 - PRIMAL
11.15 - DEAD CERT

Friday 27th August
11.00 - EGGSHELLS
1.00 - TEXAS CHAIN SAW MASSACRE
3.00 - TOTAL ICON TOBE HOOPER
5.00 - ISLE OF DOGS
7.15 - F
9.25 - RED HILL
11.30 - ALIEN VS. NINJA
10.45 - BURNING BRIGHT
12.45 - THE CLINIC
3.00 - FINALE
5.00 - WOUND
7.15 - OUTCAST
9.45 - HIGANJIMA: ESCAPE
FROM VAMPIRE ISLAND2
Saturday 28th August
11.00 - CHERRY TREE LANE
1.15 - THE TORTURED
3.15 - 13 HRS
6.30 - I SPIT ON YOUR GRAVE
9.00 - MONSTERS
11.30 - DREAM HOME
11.00 - CHRISTOPHER ROTH
1.15 - FANBOYS
3.30 - AFTER.LIFE
6.35 - FINALE
9.00 - BURNING BRIGHT
Sunday 29th August
11.00 - THE PACK
1.00 - ANDY NYMAN'S QUIZ FROM HELL
+ FILM4 FRIGHTFEST INTERNATIONAL
SHORT FILM SHOWCASE
4.00 - WE ARE WHAT WE ARE
6.30 - DAMNED BY DAWN
9.00 - A SERBIAN FILM
11.30 - THE LOVED ONES
11.00 - HIGANJIMA: ESCAPE
FROM VAMPIRE ISLAND
1.30 - OUTCAST
4.05 - WOUND
6.35 - AMER
9.05 - THE CLINIC
Monday 30th August
11.15 - VIDEO NASTIES: MORAL PANIC,
CENSORSHIP AND VIDEOTAPE
1.15 - THE DEAD
3.30 - BEDEVILLED
6.30 - RED WHITE & BLUE
9.00 - THE LAST EXORCISM
11.00 - AMER
1.30 - AFTER.LIFE
3.35 - FANBOYS
6.35 - CHRISTOPHER ROTH

The full schedule can be found here!

This year, highlights for me include; a Total Film discussion with Tobe Hooper (director of the original Texas Chainsaw Massacre), screenings of Gareth Edwards eagerly anticipated Monsters and the Eli Roth produced The Last Exorcism.

Film4 FrightFest 2010

Where:
The Empire Cinema, Leicester Square, London 26th to 30st August 2010

When:

Thurs 26 - Mon 30 August 2010.

More info:
Over at the FrightFest website and tickets on 08 714 714 714 or over at the Empire Website

Monday, 16 August 2010

Movie-Con III : Day 1 - 127 Hours, A Town Called Panic , Never Let Me Go, Judge Dredd

Empire's Movie-Con? I hear you say In case you are unaware of Movie-Con it’s a weekend of film related goodness hosted by Empire Magazine at the BFI. Loosely basely on SD Comic-Con but described by Chris Hewitt (Empire’s News Editor and sharp witted Movie-Con host ) as “Comic-Con Business Class. It’s smaller, more intimate and bespoke.”

These sort of conventions are increasingly being used as a platform to engage with fans and early adaptors to generate buzz and gauge the early reaction for core audiences to titles.

Now in its third year Movie-Con has organically grown into a 3, well a 3 and a half days affair. The 300 or so Conner’s can expect an opening party, trailers, early footage, preview screenings, talks from the people behind the films and to interact with fellow film lovers.

To understand the utter awesomeness last year of Movie-Con amongst the early footage, previews (Funny People, Inglourious Basterds', The Hurt Locker, The Imaginarium of Dr Parnassus) amongst other notables both Robert Downey Junior and Guy Ritchie popped in to talk about Sherlock Holmes and Iron Man. You can read my coverage of last year’s Movie-Con here!

With many big studios increasingly recognising that the in-roads to International Markets are opening up at a grass roots level – UK fans are getting more love and attention. The US still gets first dibs on the bulk of the pie, but we are increasingly seeing some of the good stuff earlier as well a lot of the home-grown stuff before the US. As examples of this; we got to see a teaser trailer for Danny Boyle’s awesome looking 127 Hours, footage from the future classic Brighton Rock, and exclusives like confirmation that Karl Urban is too be Judge Dredd and that Jason Flyming will be Azazel in Matthew Vaughn's upcoming X-Men: First Class.

Movie-Con is also a platform for smaller independent titles to be introduced to potential audiences last year we got to see bits and hear about the surreal Bunny and the Bull this year we were introduced to the just as mad but charming Belgian A Town called Panic.

Initially I was going to blog each day but found taking notes detracting from the main reason I was there (to enjoy and engage) as well as Empire have a blow by blow report of events up at the end of each day over here! Which actually frees me up to give my commentary of the proceedings rather than spend too much time on the details of what happened.

So onto Movie-Con III.

Day 1 round up:
Chris Hewitt opened Movie-Con with his customary jibes and the sparkling wit that has just earned him a contributor role on Film 2010, (back on screens in October). Highlighting the only 2 rules for Movie-Con:
  1. No cameras
  2. Go see all films presented twice
127 Hours
Danny Boyle and Producer Christian Colson opened up Movie-Con by showing us a teaser trailer for 127 Hours. In fact the trailer’s colour grading was only completed earlier in the day so that it could be seen at Movie-Con. Empire then told us that 127 Hours will be closing the London Film Festival this year. It was at about this point it dawned on me how great Movie-Con III was going to be.

127 Hours is the true story of mountain climber Aron Ralston's (James Franco) remarkable adventure to save himself after a fallen boulder crashes on his arm and traps him in an isolated canyon in Utah. Over the next five days Ralston examines his life and survives the elements to finally discover he has the courage and the wherewithal to extricate himself by any means necessary, scale a 65 foot wall and hike over eight miles before he is finally rescued. Throughout his journey, Ralston recalls friends, lovers (Clemence Poesy), family, and the two hikers (Amber Tamblyn and Kate Mara) he met before his accident. Will they be the last two people he ever had the chance to meet? - Fox Searchlight Pictures.
The teaser trailer is beautifully shot as we have come to expect from Danny Boyle it’s; bold, colourful, compelling, introduces us to a new world and incredibly well shot. It shows James Franco as a bold outdoors man mountain biking, he is clearly master of his domain, loving life. He meets 2 girls on a trail and takes them off the trodden path and more into Beach territory (we see them find there way into a crystal blue pool). He then jogs off on further adventures where it all goes horribly wrong. James Franco shines and women will want to be with him and men will want to be him. I loved the trailer and I can’t wait to see 127 Hours.

Danny Boyle and Christian Colson then went onto do a QA session for the 'Conners. Look the teaser trailer was great but the in all honesty the real draw was been able to listen to Danny Boyle talk, he was awe inspiring, incredibly engaging and inspirational talker. I would pay the price of film admission just to hear him talk. He had the crowd on the edges of their seats waiting on his next line.

Headlines from the QA:
  • The incident happened in 2003, he read the book in 2005 and has been wanting to make the film since then, he met with Aaron but only got the go ahead after Slumdog Millionaire and a scecond meeting.
  • He loved James Franco in Pineapple Express and there is a nod to this in 127 Hours
  • Making 127 Hours was a real challenge as there is no relying on locations, villains, huge sets or incidental characters
  • Two camera men were used to create a protagonist/antagonist relationship
  • Boyle wants the audience to feel they are with Aaron for 127 hours
  • The film shoot and post production was compressed, shooting started on March 15 and it will Premiere on September 12.
  • The measurement of success of 127 Hours is: will the audience root for Aaron to do the unthinkable? I’m paraphrasing to avoid possible spoilers.
  • He would like to do an original musical and possibly an animated film
  • He would not be making another Sci-Fi Film (Booooo!)
  • Sci-Fi fans are really hard to please
I have met Danny Boyle and this audience interaction pretty much sums up this bold film-making genius:

Audience Member: Hello, I’m from (same town as Boyle) and I was wondering of you had any advice for film-makers starting out? This could be considered by many to be a fairly lame and generic question (there was actually an audible sigh, when he asked). But bear in mind that this might be the guys only opportunity to ask his hero (or someone he greatly respects) a question, whose answer may make the world of difference to him.

Danny Boyle responds in kind:
  • Work with your mates, peers, people whose opinions you respect.
  • Keep at it, keep at it, keep at it
  • It’s weird you sit down there, looking up here at the people on the stage thinking “I’ll never get up there, they won’t open the door for me. But there is no door. Keep at it and one day you’ll be sitting up here and some young guy will be asking you the same question one day”
Being the opening night, every one still finding their feet at Movie-Con and everything happening quickly So the only part of Danny Boyle’s huge personality that may not have come across is just how done to how down earth he is.

Hammer & Tongs present: A Town Called Panic.
I didn’t know anything about A Town called Panic - apart from that it was recently screened as part of Film4’s Outdoor Summer Screen Festival at Somerset House on a double bill with Team America.

A Town called Panic - Animated plastic toys like Cowboy, Indian and Horse have problems, too. Cowboy and Indian's plan to surprise Horse with a homemade birthday gift backfires when they destroy his house instead. Surreal adventures take over as the trio travel to the center of the earth, trek across frozen tundra and discover a parallel underwater universe where pointy-headed (and dishonest!) creatures live. With panic a permanent feature of life in this papier mâché town, will Horse and his girlfriend ever be alone? - Anonymous IMDB
A Town Called Panic is being distributed by Optimum in the UK. So they asked Filmmakers Nick Goldsmith and Garth Jennings the duo collectively known as Hammer & Tongs to please help champion this little gem. They thought it was a bit strange that they were asked to be involved with a film they had not actually made but after screening the film they were in. I should mention that Nick Goldsmith bears an incredible likeness to a suave bearded Vin Diesel that is not actually Vin Diesel.

We got to see the trailer for A Town Called Panic which was absolutely mad.



They then showed us a scene from the film – madder, another clip even madder followed by a hilarious interview with the genius Russian animator Pavel Scratchanitch of A Town Called Panic who looked suspiciously like a scruffy, unkempt, accented, reeking of garlic Adam Buxton. The interview included clips from two of his earlier works; a re-imagineering of Spongebob Squarepants Black Rock No Pants, literally a Black Rock with no pants and Pavemon a black & white, 60s French existential version of Pokemon. Keep an eye online for this it’s hilarious.

In between getting drunk Pavel’s offered advice on shaping A Town Called Panic that included;’ “no, no, it needs to be weirder” and “that makes sense, take it out”.



I was left with the distinct impression that A Town Called Panic is surreal, fresh, original and for some reason very nostalgic. An animated Monty Python on acid with subtitles.

Below is some recently discovered footage of animator Pavel Scratchanitch.




With the next presentation Empire gives us a bit of the “Business Class” they are boasting about. Movie-Con is more balanced this year bringing fans not only crowd-pleasers and fan boy favourites but some depth and weight as well with:

Never Let Me Go
One of this year’s heavy hitters #Oscars Never Let Me Go is based on a 2005 novel shortlisted for the Booker Prize by Japanese-born British author Kazuo. It is much loved and expectations are high for Never Let Me Go. It was announced that Never Let Me Go will be opening the 2010 London Film Festival.

Never Let Me Go is an upcoming dystopian drama film based on a novel of the same name written by Kazuo Ishiguro. As children, Ruth, Kathy and Tommy, spend their childhood at a seemingly idyllic English boarding school. As they grow into young adults, they find that they have to come to terms with the strength of the love they feel for each other, while preparing themselves for the haunting reality that awaits them.
It is directed by Mark Romanek and stars Keira Knightley, Carey Mulligan and Andrew Garfield. Alex Garland wrote the screenplay for the film. The film is produced by DNA Films and Film4. It will premiere at the 2010 Toronto International Film Festival. Also it will open the 54th London Film Festival. It will be distributed theatrically by Fox Searchlight Pictures in the United States on 15 September 2010. In the United Kingdom it will be distributed theatrically on 14 January 2011, - Twentieth Century Fox.


I haven’t read the book and did not know much about Never Let Me Go apart from some of the cast that were in it, the acclaimed Mark Romanek was shooting it and that it was being filmed outside of London in a big house. Much of this information came to me serendipitously a long while back when my fiancés birthday party was coincidentally at the same venue as the wrap party for London Boulevard in attendance were Colin Farrell, Keira Knightley, Anna Friel, David Thewliss and Stephen Graham. There were probably loads more cast and team around but I was tipsy and at the best of times terrible identifying film people.

Being the friendly guy I am I had a short drunken chat with Colin Farrell (I was drunk, he was very sober) and I have to say he was an absolutely lovely man and nothing like the guy the media were portraying him as. Any way I had some chats with other London Boulevard people and the above information came to light. I am still however kicking myself for not asking Farrell for some insight into a possible Miami Vice sequel. But I digress…

The films Producers Andrew Macdonald (A personal hero of mine) and Allon Reich gave a short QA after we got to see the Trailer. I have to say that I went from not knowing anything about Never Let Me Go to getting a fairly good idea of what the plotline was and the central theme around the title. Thankfully I don’t know how it all ends but I’m hoping the film has a rich tapestry that I can revel in getting there.

urzon is proud to be one of the hosts of 2010’s Rendez-Vous With French Cinema showcasing a selection of the best new French films yet to be released in the UK. All screenings will be introduced and followed by a post-screening discussion with filmmakers and talent.

Judge Dredd
OK! Although there was no presentation for Judge Dredd and it probably doesn’t deserve its own little section like the films that were presented - But I’m a fan and both Andrew Macdonald (A personal hero of mine) and Allon Reich gave enough information to warrant that Dredd gets its own section.

Recently Duncan Jones let it out of the bag that he had passed on the chance to direct Judge Dredd - which was sad news for me as Jones is a life long fan of Judge Dredd (& Rogue Trooper) and a brilliant filmmaker so you know his Dredd would have been somewhere between great and awesome. Jones has said that the script that he saw was "strong" but his vision for Dredd was different.

Regarding their vision for Judge Dredd – “Dredd is a fantastic comic that they messed up 20 years ago. They built a huge city (set), inhabited it and tried to make the film for everyone, when it’s not for everyone. They cast a big star, paying a lot money so they thought let’s show his face. We are making ours for a similar price to D9.

Ours is an R-Rated gritty story of Dredd in a Mega City. The helmet is not coming off. He will hit people and people will hit him. The bike will feel real. There has been a change guns. They weren't taking very seriously but - they now they are. We have Karl Urban.” This was in fact confirmation that Karl Urban had indeed been cast as Judge Dredd.

Shooting starts in December in Johannesburg (actually Gauteng) South Africa. It will be directed by Pete Travis (Vantage Point) and produced by the same guys behind D9. The script for Judge Dredd was developed by Alex Garland (long time Boyle collaborator and screenplay writer of Never Let Me Go).

It will be an original story not based on one single comic story arc. John Wagner (one of the original Judge Dredd writers) has been involved and likes where it is going.

Wasted opportunity Andrew Macdonald is Producing The Sweeney. It would have been great to get some insight from him about it. Is it still on? What of the cast?;Ray Winstone/Daniel Craig/Ewan McGregor/ Orlando Bloom/ Tom Hardy, that’s too many names.

The Expendables
After a short break we were treated to a preview of the biggest team up film of all time, The Expendables a week before general release. I was lucky enough to be invited the UK Premiere last week, needed some time to decompress after a long week and get my bespoke T-shirts for the Movie-Con T-Shirt Competition ready so I made my way home. At some point I'll get a review of The Expendables up.

Dark Fibre Movie-Con Party
"Transforming the main foyer into a multi-sensory space, BFI Southbank's regular AV club night returns for a Movie-Con special. Taking the Future Human season as a theme, we present a double bill of sci-fi remixes. We welcome extraordinary audiovisual explorer Zan Lyons who will be performing a live rendition of his electrifying Blade Runner remix, and Oli Sorenson and Dan Tait return to Dark Fibre with their own electronic homage to George Lucas's dystopian THX 1138. With support from Shokku, a circuit- bending live AV collaboration between Wrong Music’s Hannah Drayson and Ben Hudson." - BFI’s website
I was looking forward to hearing remixed versions of Blade Runner and THX 1138 especially since James Lavelle from Unkle had been part of the Dark Fibre collective at one point. As well as the party thrown by Jamesons for Movie-Conners, but I needed to make sure my T-shirt was perfect for Movie–Con III Day 2. I leave you with some clips from Dark Fibre's score.

THX 1138 remix - Alienation

THXRemix – Love


THX 1138 Remix - Escape


Zan Lyons / Blade Runner rescore



Movie-Con III : Day 1 - 127 Hours, A Town Called Panic , Never Let Me Go, Judge Dredd

Where:
The BFI

When:
13-15 August annually

More info:
Over at Empire's Movie-Con website.

Friday, 13 August 2010

Indy Slacker Lost in Translation Wah Do Dem gets a UK release date

Network releasing is bringing the charming slacker oddessy Wah Do Dem (Patois for “What’s Wrong With Them”) to the UK. I have seen Wah Do Dem and this fresh indy is the flipside of the coin of Lost in Translation and it will charm you as it takes you across Jamaica.

In WAH DO DEM, young Brooklyn-based musician Max (Sean Bones) wins tickets to go on a Caribbean cruise. At the last minute, he is dumped by his girlfriend (Norah Jones). He goes on the cruise alone anyway. Once in Jamaica, Max quickly escapes the tourist zones for more “authentic” surroundings and in the process, he falls victim to a robbery and loses all his possessions including his passport and is stranded- and literally misses the boat. As Max sets out for the American Embassy in Kingston on foot, Jamaica is waiting to greet him with unexpected and extraordinary encounters and adventures, including a full-moon celebration with the legendary reggae group The Congos, and a dreamy stay with a Rasta prophet- an inspired and eerie performance from Carl Bradshaw (The Harder They Come).


Part of the Official Selection for the London Film Festival, winner of Best Film at the LA Film Festival, Best Feature Film at the Reggae Film Festival and winner of Best Film at the Spokanne Film Festival, Network Releasing is delighted to announce the UK cinema release of slacker road movie “WAH DO DEM” on 27th August 2010 at selected cinemas across the UK including Ritzy Brixton, Picturehouse Greenwich, Cameo Edinburgh, Picturehouse at FACT Liverpool and Duke of York’s Picturehouse Brighton.


Starring Sean Bones, Norah Jones, Carl Bradshaw and Kevin Bewersdorf the film also features a sublime Indie and reggae centric soundtrack from MGMT, Yeasayer, Santigold, Mykal Rose, Mr Lexx, Sean Bones and The Congos.

Director: Ben Chace & Sam Fleischner
Starring:
Kevin Bewersdorf, Sean Bones, Carl Bradshaw, Mark Gibbs, Norah Jones
USA, 2009, 76 mins, English

Indy Slacker Lost in Translation Wah Do Dem gets a UK release date


When:
Wah Do Dem will be released in the UK on Fri 27 August, 2010

More info:
Over at the Wah Do Dem website

Friday, 6 August 2010

Edgar Wright Double Bill at The Ritzy

To celebrate the highly anticipated release of Edgar Wright's latest film, SCOTT PILGRIM Vs. THE WORLD, the Ritzy folk thought it only right to revisit Edgar's two previous films, SHAUN OF THE DEAD and HOT FUZZ on the big screen.

And they're offering both films for one regular Ritzy admission price - TWO amazing films for less than £10! So head to the Ritzy and grab a Cornetto for this memorable double-bill at The Ritzy.


Edgar Wright Double Bill at The Ritzy

Where:
Ritzy Picturehouse, Brixton, Brixton Oval, Coldharbour Lane, London, SW2 1JG

When:
6:00pm, Sun 8 Aug, 2010

More info:
Over at the Ritzy website

QA Michael Moorcock & The Final Programme screening

Pulp novelist, sci-fi pioneer and sometime member of Hawkwind, Michael Moorcock has written scores of subversive, groundbreaking cult books.

The BFI are screening a rare example of a big screen adaptation – don't miss this chance to The Final Programme.

Jon Finch is terrific as hip, party-hungry adventurer Jerry Cornelius, troubled by the recent passing of his father but reluctantly on the hunt for the mysterious 'Final Programme': dad’s design for the perfect self-replicating human. Meanwhile, his sister is missing and his drugged-up brother holds fierce dominion over the house where the missing microfilm is supposedly located. Somehow Jerry has to get his head together, and deal with gorgeous, icily seductive Miss Bruner (Jenny Runacre) – who's also after the design. Terrific performances all round in this fast-moving, futuristic update of the thrilling adventure tales of yesteryear, with an unmissable supporting turn from a cigar-chomping Sterling Hayden.



Director: Robert Fuest
Starring:
Jon Finch, Jenny Runacre, Hugh Griffith, Patrick Magee, Sterling Hayden
USA, 1973, 2009, 81 mins

QA Michael Moorcock & The Final Programme screening

Where:
BFI Southbank,Belvedere Road, London, England SE1 8XT


When:
9:00pm, Tues 10 Aug, 2010

More info:
Over at the BFI website

Thursday, 5 August 2010

QA Director Marc Caro & The City of Lost Children

Intricate producton design (by Caro and Jean Rabasse), a battery of special effects, Jean-Paul Gaultier costumes and a richly atmospheric score by Angelo Badalamenti all combine to create a dazzlingly surreal, post-apocalyptic world that frames the hunt for a kidnapped boy after a circus strongman's little brother goes missing. Not only creators of their own universe, Caro and Jeunet are also storytellers who inspire some beautifully shaded performances from a distinctive cast.

A dazzlingly surreal post-apocalyptic world frames the hunt for a kidnapped boy.



Director: Jean-Pierre Jeunet & Marc Caro
Starring:
Ron Perlman, Dominique Pinon
France-Germany-Spain, 1995, 112 mins

QA Director Marc Caro & The City of Lost Children


Where:
BFI Southbank,Belvedere Road, London, England SE1 8XT

When:

8:10pm, Thurs 5 Aug, 2010

More info:
Over at the BFI website

Edgar Wright in Conversation with Joe Cornish

When it was announced that Edgar Wright would be writing and directing Scott Pilgrim Vs. the World, a collective sigh of relief could be heard throughout the land.

For fans of Bryan Lee O’Malley’s comic book about a Toronto bassist-scenester who must defeat his girlfriend’s seven “evil exes”, there was no better choice than Wright, the man who gave Spaced its idiosyncratic visual style, the zombie brilliance of Shaun of the Dead, and the high-octane send-up Hot Fuzz. Special guest Joe Cornish (of Adam & Joe fame and taking a break from his own foray into film, Attack the Block) will host what is certain to be an extremely entertaining evening, taking a look at Edgar’s work, old and new.



Edgar Wright in Conversation with Joe Cornish

Where:
BFI Southbank,Belvedere Road, London, England SE1 8XT

When:
8:45pm, Tues 17 Aug, 2010

More info:
Over at the BFI website